Review: MOSQUITOLAND by David Arnold

This is the time where I should probably remind you that what I do on this blog is not review books, but recommend. I used to do reviews, back before I started seriously pursuing my own writing, but criticizing someone else’s blood, sweat, and tears when art is such a subjective thing never really sat well with me. I’d rather recommend what I love (and stay quiet on what I don’t) than steer folks away from something that just wasn’t for me.

This is why I don’t post that often, and why, when I do, it’s always positive. It’s not that I love every book I pick up. It’s that I only take the time to write about the ones that I enjoy so much, I want to pass them on.

With that reminder and caveat out of the way, I’m going to be honest: I’ve recommended a lot of friends’ books on this blog, and I stand by every single one of those recommendations. But David Arnold’s quirky road-trip debut MOSQUITOLAND has made me a bit more verklempt than usual. Although I am blessed to have many amazingly talented writer friends in my life, and I am so proud of their successes, I met most of them post-agent, post-sale. They were already Authors with a capital A, even if their books hadn’t hit shelves yet.

But I knew David back when he was still an aspiring author. Little a. Like me. And it feels different.

I first met David a couple years ago, at a writing retreat where he and I were assigned to the same critique group. This was before he’d ever sold a book, before either of us had signed with an agent, before we’d even finished our first YA manuscripts or started querying. We were, for all intents and purposes, at the same point in our respective writing journeys.

Our critique groups each had five or six people in them. We traded first chapters and filled out worksheets in an attempt to help each author improve their work. It was very quiet and studious and serious as we passed pages around the table and everyone took a turn jotting their suggestions for how each writer could improve their characters, their prose, their plot and set-up and all the nitty gritty that goes into crafting a book.

I read a lot of good pages.

Then the papers shifted, and the first three chapters of MOSQUITOLAND landed in front of me.

I read them, filled out my worksheet, and then stared at it with a frown, feeling there was something more to say about these pages and not knowing quite how to say it.

Finally I scribbled onto the bottom of the page — I can’t remember the exact words, but it was something along the lines of– “Don’t tell anyone, but your book is far and away my favorite.

Now here we are, two and a half years later, and MOSQUITOLAND has grown from my favorite 30 pages at a writing retreat into one of my favorite for-real paper-and-ink books on my shelf, and David Arnold has gone from being a fellow aspiring writer whose ridiculous talent was easily spotted even in those early, drafty pages, to a cherished friend.

All that said — I’d recommend this book even if David was a stranger I wouldn’t know if I tripped over him in the street.

The Plot (from Goodreads):

“I am a collection of oddities, a circus of neurons and electrons: my heart is the ringmaster, my soul is the trapeze artist, and the world is my audience. It sounds strange because it is, and it is, because I am strange.”

After the sudden collapse of her family, Mim Malone is dragged from her home in northern Ohio to the “wastelands” of Mississippi, where she lives in a medicated milieu with her dad and new stepmom. Before the dust has a chance to settle, she learns her mother is sick back in Cleveland.

So she ditches her new life and hops aboard a northbound Greyhound bus to her real home and her real mother, meeting a quirky cast of fellow travelers along the way. But when her thousand-mile journey takes a few turns she could never see coming, Mim must confront her own demons, redefining her notions of love, loyalty, and what it means to be sane.

Told in an unforgettable, kaleidoscopic voice, “Mosquitoland” is a modern American odyssey, as hilarious as it is heartbreaking.

My Thoughts:

The first thing a reader notices when they pick up MOSQUITOLAND is the voice. Self-proclaimed strange protagonist Mary Iris Malone (“Mim”) leaps off the page, a precocious, declarative and impulsive girl with a view of life and people that is, even at its most stable, a little askew. She is quick to judge and quicker to act, and though her wit is razor-sharp, her common sense is quite a bit more blunted.

Which is why, as one might expect, her spur-of-the-moment road trip to find her absentee mom doesn’t go exactly as planned.

It’s an odd thing, sometimes, being an adult reading books about teenagers. Actions I would have cheered in my adolescence cause me to cringe, situations that appear romantic and exciting to a 16-year-old seem rife with danger, and the logic that feels incontrovertible to the teenage protagonist is riddled with holes.

Often, these are the sorts of things that can pull me out of a story, because checking one’s adult sensibilities at the door is not a natural impulse. Honestly, Mim makes a few choices that would probably even give some — or most — of her peers pause. But her voice is so open and authentic that even when she’s jumping into a scrap-heap truck with an older boy she just met or taking a dip in a probably-disease-riddled swimming hole or any of the myriad other weird and ill-considered things she does, I was with Mim, totally and completely, instead of wishing I could pull her back before she charged headlong into disaster.

And she does, on more than one occasion, charge into disaster. Sometimes physical and cataclysmic, sometimes internal and echoing, and probably not nearly as frequent as might be likely if a real-life Mim were to embark on this same journey. But the consequences Mim faces for her impulsive and often uninformed decisions are enough that while a reader may sympathize with Mim’s intentions, they can still recognize her fallibility and naivete.

As for tone, this book skillfully straddles the line between “issues” and “light” contemporary. It tackles hard topics in a way that gives them weight without bogging down the narrative, and balances tough real-world issues — mental illness, suicide, divorce, and sexual predators, among others (it’s worth mentioning that this book is marketed for readers 12 and up, but I think it skews a bit older) — with an effervescent lightness, as if the story has been painted with a vibrant, Wes Anderson-esque brush. Every part of MOSQUITOLAND is a little brighter and larger than life, from the cast to the plot to Mim herself and her perception of reality.

For my money, that’s a good thing: Mim views her story as grandiose and that is how she tells it, and being submerged in her off-the-beaten-path brain gives her tale a degree of authenticity that may not have been present with a more straightforward narrative.

Mim’s odyssey is a strange one, full of strange characters and strange happenings. But it’s also beautiful and fun and heartfelt and raw, and while Mim’s musings are not always brimming with objective wisdom, they are honest and endlessly quotable.

If you’re a fan of surprisingly eventful road trips, of quirky and bizarre casts of characters, of flawed protagonists, of vivid settings and skewed realities, of the type of voice that will dig its way into your brain and refuse to let go, and of strangeness, I can’t recommend MOSQUITOLAND highly enough.

Review: A DARKER SHADE OF MAGIC by V.E. Schwab

As always when I review a friend’s book, a disclaimer: I am friends with the author, V.E. Schwab. I got my hands on an early copy of A Darker Shade of Magic through trickery and intrigue (or, yanno, asking nicely). But this in no way affects my review of this book. I don’t love every book every one of my friends has written (seriously, you can ask them), and I wouldn’t recommend a friend’s book if I didn’t enjoy it.

But this book – this book – ohhhhhhh it’s divine. This one I can recommend without reservation. This one is one I’d devour even if I had never crossed paths with one V.E. Schwab. It’s been a while since I’ve attempted to read adult fantasy (and make no mistake, A Darker Shade of Magic, like V.E.’s amazing earlier release Vicious, is written for adult audiences, unlike the novels she publishes as Victoria Schwab, which are YA and Middle Grade), even though I love fantasy, simply because I haven’t been sure I had the time to devote to that sort of dense worldbuilding and sprawling narrative and tiny font.

Related: why does adult genre fiction have such tiny font? Adults are older. Our eyesight is worse. The font should be bigger.

Get off my lawn.

(Not really. Please come back.)

But anyway, with this premise, and this cover, and my epic love for Vicious, I knew I needed to get A Darker Shade of Magic into my brain, tiny font and all. And wow. Just…wow. It was worth the tiny font.

While I was really tempted to do this review all in gifs, I will do my best to make actual words.

Okay, fine, ONE gif.

Get the man a fabulous coat, and this is Kell.

There, don’t you feel better? Or is it just me? I’m fine if it’s just me.

The Plot (from Goodreads):

Kell is one of the last Travelers—rare magicians who choose a parallel universe to visit.

Grey London is dirty, boring, lacks magic, ruled by mad King George. Red London is where life and magic are revered, and the Maresh Dynasty presides over a flourishing empire. White London is ruled by whoever has murdered their way to the throne. People fight to control magic, and the magic fights back, draining the city to its very bones. Once there was Black London – but no one speaks of that now.

Officially, Kell is the Red Traveler, personal ambassador and adopted Prince of Red London, carrying the monthly correspondences between royals of each London. Unofficially, Kell smuggles for those willing to pay for even a glimpse of a world they’ll never see. This dangerous hobby sets him up for accidental treason. Fleeing into Grey London, Kell runs afoul of Delilah Bard, a cut-purse with lofty aspirations. She robs him, saves him from a dangerous enemy, then forces him to another world for her ‘proper adventure’.

But perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, Kell and Lila will first need to stay alive — trickier than they hoped.

My Thoughts:

As with most high fantasy, A Darker Shade of Magic starts slow and quiet, building a world that is like ours, and not like ours, brick by brick. We meet Kell, a mysterious wanderer in a fabulous coat, who travels between worlds as easily as stepping from one room to another. There is Grey London, which plays like a straight historical fiction of our world, Red London, Kell’s home, which is rich and teeming with magic, and White London, which has been all but burned up by magic and treachery. And then there is Black London, which no one travels to anymore, not even Kell.

The world of each London is established subtly but confidently, and through Kell’s eyes, the rules of each overlapping London gradually become clear and distinct. Once we’ve gained our footing in the magic of Kell’s world and have a sense of the difficulties he faces in each London, we meet Lila, a cunning thief from Grey London with a quick hand and a taste for adventure. It takes a while for all the building blocks of the story to fall into place, but there are plenty of rewards for the patient reader, from the lush details of the worlds to the charming characters to Schwab’s signature poetic prose.

Then, once Lila and Kell inevitably cross paths, the story takes off, plunging both protagonists into a London-jumping whirlpool of courtly intrigue and deception while playing up the conflict between Lila’s lack of magic and Kell’s abundance of it to maximum, satisfying effect.

What V.E. Schwab did so well in Vicious, and what she does again here, is establish each of her characters, from heroes to villains, as fully realized, fleshed-out individuals. While Lila and Kell are both brave and charismatic, they are also criminals, and while the main antagonists – the terrifying sibling rulers of White London –  are undeniably sinister, the people they use to carry out their dark deeds are in many ways conflicted and sympathetic. Blurring that line between hero and villain is a tricky game, but Schwab accomplishes it masterfully.

As I said before, the first half of the book may be a slow burn, but it’s a delicious one. Readers shouldn’t expect to plunge straight into adventure and murder and intrigue, but there is plenty to enjoy along the road to chaos. And once the book hits its stride, there are payoffs aplenty as the story builds in intensity all the way through to its twisting, bloody conclusion.

A Darker Shade of Magic will have a sequel, but this first installment ends on a perfectly satisfying note. I can’t wait to join Kell and Lila on their next London-hopping adventure, but I was utterly sated with the ending of this book. There are no cliffhangers here, only the graceful bow of one adventure while another waits in the wings, peeking around the corner.

If you’re in the mood for a refreshingly unique spin on alternate universes, magic, and devastatingly gorgeous coats – or if you just want a beautifully crafted story told in a mesmerizing, lovely, and occasionally creepy voice, then you should move A Darker Shade of Magic to the top of your list.

Review: MY HEART AND OTHER BLACK HOLES by Jasmine Warga

I know. I know. I just reviewed a book about suicide. And this is another book about suicide. What is with the suicide books, Lauren?

I promise this isn’t going to become a theme on my blog. I finished this book and promptly decided that it was time for something happy and different (so I started simultaneously reading a light YA contemp and a futuristic adult hard sci-fi. This is proving to be an interesting combo). But I’d heard such amazing things about My Heart and Other Black Holes that even though I’d just finished I Was Here, I couldn’t wait to read it.

The Plot (from Goodreads):

Sixteen-year-old physics nerd Aysel is obsessed with plotting her own death. With a mother who can barely look at her without wincing, classmates who whisper behind her back, and a father whose violent crime rocked her small town, Aysel is ready to turn her potential energy into nothingness.

There’s only one problem: she’s not sure she has the courage to do it alone. But once she discovers a website with a section called Suicide Partners, Aysel’s convinced she’s found her solution: a teen boy with the username FrozenRobot (aka Roman) who’s haunted by a family tragedy is looking for a partner.

Even though Aysel and Roman have nothing in common, they slowly start to fill in each other’s broken lives. But as their suicide pact becomes more concrete, Aysel begins to question whether she really wants to go through with it. Ultimately, she must choose between wanting to die or trying to convince Roman to live so they can discover the potential of their energy together. Except that Roman may not be so easy to convince.

My Thoughts:

Suicide isn’t a topic most people like to discuss. It’s upsetting and sad, and I doubt the majority of folks want to believe that it’s a subject they’ll ever have to deal with personally. Of course, they think, if they ever need to talk about it, they will. They will get a suicidal person the help they need, and they will be supportive, and they will show their loved one that they are not alone.

The problem with that sort of thinking, unfortunately, is depression and suicidal thoughts are not visible to the naked eye. They isolate and tear down, whispering to the depressed person that they are alone in their struggle, and sometimes the people who love them don’t see the signs until it is too late.

MY HEART AND OTHER BLACK HOLES tackles this difficult conundrum. Aysel (pronounced Uh-zel) is a 16-year-old girl living each day in tremendous doubt and fear after a horrific incident that turned her life upside down and inside out. Roman is a 17-year-old boy wracked with suffocating guilt over a terrible tragedy that he feels was his fault. Both of them consider the cold end of death far more appealing than the certain pain of continuing their lives. Both of them know they can’t take the plunge into that dark unknown without a little nudge.

Both of them feel completely, devastatingly, alone.

But in that loneliness, they find common ground. And on that ground, using the pieces of their shattered lives, they start to build.

MY HEART AND OTHER BLACK HOLES takes a thoughtful, honest approach to depression and suicidal thoughts. Aysel’s pain is very real and raw, and there are no easy answers for her. She sees the world through a jagged, fragmented lens that twists everything into ugly and hateful shapes. But even as she longs to escape her life, she has fears and uncertainties about what taking her own life means. And when she looks at Roman — a boy who is good looking, popular, athletic, and loved by his parents — she sees so many reasons to live that she can’t see for herself.

I’ll admit, parts of this story were hard for me to read. Any time Aysel had to interact with Roman’s parents and felt guilt over what his death would do to them, I was gutted. And when the tragedies in each of their lives are revealed, it was achingly clear that should Roman and Aysel decide to live, their journeys will not be without pain and heartache and the kind of healing that can hurt worse than bleeding. This is not a story with easy answers or simple anything, and it felt all the more real for it. As the Author’s Note at the end of the book states, recovery is not a switch flipping, but a daily battle that some people fight their whole lives.

But despite the pain and loneliness and bitter heartbreak in Aysel and Roman’s lives, MY HEART AND OTHER BLACK HOLES is not a bleak book about death, but a story about hope. It takes two broken, hurting people and shows us that even at our darkest, we can be someone’s light. Even at our weakest, we can find strength. And even the loneliest of us can provide support to someone who may desperately need it.

Review: I WAS HERE by Gayle Forman

I received an ARC from the publisher in exchange for my honest review.

Recently I was contacted by a publicist at Viking Penguin asking if I’d be willing to conduct an interview with one of their authors, who would be in my area soon. I’m not sure why they picked me, but I’m glad they did, because that author turned out to be Gayle Forman, author of international bestseller If I Stayamong other popular books. If I Stay was recently made into a movie, which means Gayle is now understandably busy, so I leapt at the opportunity to read her newest book, I Was Here, and then sit down to talk with her.

When you know you’re going to meet the author, there’s always a bit of nervousness that comes with reading their book. No author expects every reader to love their work, but so many of the authors I’ve met are such lovely people that I desperately want to be able to tell them I enjoy their stories.

With Gayle, I needn’t have worried. Not only was she kind and generous and wise in person, but I loved her book. Like most of her work, the subject matter is difficult, but it’s handled well, with care and honesty. It may actually be my favorite one of her books.

You can read my interview with Gayle on Young Adult Books Central, as well as enter to win a hardcover copy of I Was Here.

The Plot (from Goodreads):

When her best friend Meg drinks a bottle of industrial-strength cleaner alone in a motel room, Cody is understandably shocked and devastated. She and Meg shared everything—so how was there no warning? But when Cody travels to Meg’s college town to pack up the belongings left behind, she discovers that there’s a lot that Meg never told her. About her old roommates, the sort of people Cody never would have met in her dead-end small town in Washington. About Ben McAllister, the boy with a guitar and a sneer, who broke Meg’s heart. And about an encrypted computer file that Cody can’t open—until she does, and suddenly everything Cody thought she knew about her best friend’s death gets thrown into question.

I Was Here is Gayle Forman at her finest, a taut, emotional, and ultimately redemptive story about redefining the meaning of family and finding a way to move forward even in the face of unspeakable loss.

My Thoughts:

After reading Forman’s debut novel, If I Stay, and its sequel, Where She Went, I knew Forman was not afraid of tackling difficult subjects and handling them with care, which is why I was interested to see her approach to one of the most upsetting and relevant topics in our society today, teen suicide. Though the subject matter is far from pleasant, it only takes a glance at the headlines to confirm that this is a very real problem facing teens. It is my hope that I Was Here and books like it will help kids experiencing thoughts of suicide realize they are not alone, and raise awareness in the people who love them.

I Was Here follows Meg’s best friend, Cody, as she learns to navigate life without her other half following Meg’s suicide. We never meet Meg except through Cody’s memories, and while there is an element of mystery and suspense as Cody tries to make sense of why Meg would kill herself, I Was Here is ultimately a book about grief, and how to move on after unspeakable loss.

It feels strange to say I enjoyed a book centered on such a grim topic, but I did. I Was Here constantly walked the line between hopeful and tragic, light and dark, guilt and healing. Cody could be a difficult narrator at times, partially because she was in such a painful emotional state and partially because Cody was naturally standoffish, but the other characters provided balance and occasional humor, which I appreciated.

As in all of Forman’s books, there is a romantic element to I Was Here, but it took a backseat to Cody and Meg’s story. I enjoyed watching Cody and her reluctant love interest come together, and fans of subtle, slow-burn romance will appreciate how their story is woven into the main narrative of trying to put together the pieces Meg left behind.

The mystery – why Meg killed herself when, to Cody’s eyes, she had shown no indication that she was suicidal – takes both Cody and the reader down a disturbing rabbit hole that is both illuminating and horrifying. I was concerned at first that the book may attempt to distance itself from its subject matter, taking the easy way out, but I shouldn’t have worried. I Was Here faces its demons head-on, even when Cody would prefer to stay steeped in denial.

Even though the book winds up where most people probably assume it must, the journey Cody takes to get there is in turns heartbreaking and hopeful, and at the end, I came away satisfied. I’d recommend this book to fans of Forman’s previous books, as well as anyone interested in a raw, thoughtful story of depression, loss, grief, and healing.

Review: FOR REAL by Alison Cherry

Hey, look at that! I’m writing a review! For a book! I know it’s been a while, and I’m sorry about that. Part of the problem is I’ve been reading a lot of ARCs that won’t come out for a few months, and I’d rather write the review closer to release, and part of the problem is that I’ve been revising and it’s hard for my brain to shift into reader mode when I’m in revision mode (it really messes with my ability to pleasure read when I’m so caught up in sentence length and awkward phrasing and is this chapter really necessary? and could this character’s motivation be clearer?) — and, if I’m honest, part of the problem is laziness. I’ve read some good books that I just haven’t bothered to review because I haven’t felt like it.

I know. I’m sorry. I will try to do better.

But two weeks ago, I was blindsided by a Killer Death Plague that rendered me incapable of doing anything other than lying in bed, miserable. Sometimes sleeping, sometimes just staring at the wall. I was too decrepit even to watch TV or read books. It was horrible.

That was the first week. The second was better — I could focus my brain enough to watch a show on Netflix, or process the words in a book. I absolutely could not sit in front of my computer and do anything writing-related. So I decided to put my current WIPs on guilt-free hold and plunge back into reading with what little energy I could muster, and the first book I picked up in my convalescence haze was Alison Cherry’s FOR REAL.

I’ve been looking forward to FOR REAL for a while now. Not only because Alison is an agent-mate, or because I contributed a (teeny tiny) idea for it via Twitter, and Alison actually used it in the book, although both of those were certainly factors. But mostly it’s because FOR REAL is a lighthearted book about sisters, and reality TV, and travel, and if that doesn’t sound like the most fun fictional frolic ever, I’m just really not sure what to tell you.

And friends, even weakened and fuzzied by illness as I was, I could not put this book down. Literally. I read this book in one sitting. I stayed up past my bedtime. I probably didn’t help my recovery at all. And I had no regrets.

THE PLOT (From Goodreads):

No parents. No limits. No clue what they’re in for.

Shy, cautious Claire has always been in her confident older sister’s shadow. While Miranda’s life is jam-packed with exciting people and whirlwind adventures, Claire gets her thrills vicariously by watching people live large on reality TV.

When Miranda discovers her boyfriend, Samir, cheating on her just before her college graduation, it’s Claire who comes up with the perfect plan. They’ll outshine Miranda’s fame-obsessed ex while having an amazing summer by competing on Around the World, a race around the globe for a million bucks. Revenge + sisterly bonding = awesome.

But the show has a twist, and Claire is stunned to find herself in the middle of a reality-show romance that may or may not be just for the cameras. This summer could end up being the highlight of her life… or an epic fail forever captured on film. In a world where drama is currency and manipulation is standard, how can you tell what’s for real?

MY THOUGHTS:

Man, this book was fun.

Everything about the premise of this book appealed to me. Sisters. Revenge. Reality TV. International travel. Romantic shenanigans. It sounded like exactly the sort of breezy, light read that would leave me with happy butterflies in my tummy and a goofy smile on my face. The kind of book that’s cozy like a pair of fuzzy slippers and a glass of lemonade. And it delivered in every way.

Miranda and Claire are not a saccharine-sweet pair of sisters — think less Meg and Beth, more Jo and Amy. They’re different in their interests, looks, personalities, insecurities. They’re the way I think lots of siblings are — two people who may not have ever chosen to spend much time interacting with each other if they hadn’t been raised under the same roof. It’s not that they’re incompatible; more that they’re not inherently complementary. But incongruities aside, they share a special bond, and I felt FOR REAL did a fantastic job exploring that dichotomy — sisters who love each other and are fiercely loyal to each other, despite how little they have in common.

I loved — loved — how their relationship was the driving force of the story. Miranda’s revenge on her sleazy ex-boyfriend, Claire’s awkward attempts to woo her charming crush, and the array of bizarre challenges they were forced to complete as contestants on Around the World were highly entertaining, but all the big emotional punches hinged on what was happening between the two sisters, as did most of the big shifts in motivation and stakes. It’s no big surprise that my favorite scene in the book — and one that may have provoked a few tears — was a quiet moment between the two sisters in the midst of all the crazy set pieces swirling around them. I loved the balance between the absurdity of what the characters were forced to do and the groundedness of the relationships. A book about competing on a ridiculous reality show needs to really drive home the authenticity in its characters and emotion, and I thought FOR REAL did a masterful job of that.

That said, the Around the World premise (and its unexpected and wholly inconvenient twist) was such wacky fun. Everything from the premise of the show, to the insane challenges, to the over-the-top contestants, to the polished host, to the zany twists was simultaneously outlandish and totally plausible in the current landscape of reality television. Following the characters through each challenge was as compulsively readable as actual reality TV is watchable. Plus I loved the snippets of different countries and cultures as the characters raced from one exotic location to another, even as the characters were frustrated that they didn’t really get to experience the different cultures because they were too busy smashing pomegranates and coating each other in pudding (yes, really).

As for the romance, all I’ll say is that FOR REAL is chock-full of the kind of witty banter and squishy moments and stolen glances that make for the best kind of romantic comedy — but that it never forgets its reality show premise, or that the primary focus of the book is the two sisters. So don’t expect conventional romance tropes to come into play here — in FOR REAL, the boys are the side show, never the main attraction.

All in all, if you’re a fan of great sister stories, or reality TV, or travel — or you’re just looking for a fun, quick, un-put-down-able read that makes you chuckle and groan and roll your eyes, all while tugging at your heartstrings and making you grin like a fool — then FOR REAL is the book for you.