Category Archives: Young Adult

Writerly TV: Buffy the Vampire Slayer

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You may or may not be aware that we just passed the 10th anniversary of the final episode of Buffy the Vampire Slayer, a show that, despite its silly name, is often considered by both fans and critics to be one of the greatest shows of all time. I admit, I held out on this show for a while. I saw the original movie, and it was terrible. So although the show premiered while I was still in high school, and although I had friends who watched and loved it, I didn’t think it would be for me. I wasn’t really into teen shows, and I wasn’t into vampires.

Years later, after graduating college, I got a job working the graveyard shift at a hotel. It. Sucked. But one day, as I ate “lunch” at 4:00 p.m. while preparing for work, I turned on the TV. My options were limited. But eventually, my channel surfing paused on a show that looked interesting. The dialogue was snappy and smart. The characters seemed interesting. And holy whoa, suddenly there was kung-fu. While snarking.

After a few minutes, I was hooked. Buffy became my daily get-ready-for-work show, and even though I started watching mid-season 5 (A WEIRD TIME TO START THE SHOW, LEMME TELL YA), I eventually figured out most of the back story and mythology. Using powers of mind control I have still never been able to replicate, I convinced my fiance (now husband) that this show was not too girly for him, and he joined me in my addiction. We watched through the end of season 6, then started from the beginning as the reruns cycled back around. We caught up just in time to catch the final season as it aired. I remember watching the series finale in his parents’ basement, a month before our wedding. We had gone out for the evening on some sort of wedding-related activity, but demanded that we return in time for Buffy. IT WAS QUITE IMPORTANT. (BTW: DVRs are a good invention. I appreciate them quite a lot.)

So what’s the deal with Buffy? Maybe you heard it was awesome, and watched a few episodes of the first season, then gave up. I wouldn’t blame you. (Okay, I would, but not a lot.) The first season was working with a low budget and a big concept. The effects are awful. The season-long Big Bad is campy. And it followed a monster-of-the-week format featuring creatures that were often just plan weird.

I am fully aware that this is not from Season 1. And of who the monster is. But you have to admit, this gif still sums up the problems of Season 1 pretty well.

It. Gets. Better.

Buffy really starts to come into its own in Season 2, when it started to embrace serialization and season arcs a bit more. It also dared to go a bit darker, which helped immensely. And as the show matured, it grew bolder, took bigger risks, told broader stories. Not all the seasons are perfect — every one has a few stinker eps — but even Buffy at its weakest is better TV than many shows at their strongest.

The strength of Buffy is not in its kick-butt action sequences (although the karatepires are indeed awesome). It’s the characters, and how they evolve over whatever length of time we get to spend with them. Characters we meet as villains become heroes, and heroes become villains. Characters with superpowers fail, and characters with no powers triumph. They are constantly growing and changing, making mistakes and learning from them. More than anything, they feel real. While Buffy Summers is indisputably the main character, her friends, family, allies and nemeses all get fully fleshed out. They each have their own struggles and arcs and amazing development. If you want to know how to make an audience invest in side characters, or how to make each and every character the hero of their own story, this is the show to watch.

Additionally, Buffy remains one of the best shows for witty banter, ever. The writing is sharp and tight, somehow managing to perfectly blend humor and darkness, tragedy and levity. It’s a serious show that deals with serious issues, but it’s also hilarious and silly. Its emotions are real and raw, but it balances them with moments of unexpected lightness.

Buffy the Vampire Slayer is not just a show about a girl slaying vampires, or kids developing superpowers. It’s a show about growing up, finding yourself, making mistakes, facing challenges, and developing the relationships that help define who you are. Yes, there’s monsters and action and magic, but if that’s all it was, it would be no different than the dozens of other shows with that M.O. There’s a reason Buffy is the bar all the others aspire to. There’s a reason it’s considered great, and not just lumped in with all the other “vampire shows” or “teen shows.” It uses a supernatural setting and fantastic conflicts to tell stories we can all relate to. It takes character archetypes we think we know — the cheerleader, the homecoming queen, the book nerd, the bad boy, the comic relief — and turns them on their heads, exploring how these people are the archetypes, but are also so much more.

For writers, I think it’s a fabulous study not only in character development and banter and story arcs, but also in the unexpected. Buffy never shies away from going to the places we don’t anticipate. It takes the tropes and forms we’ve come to expect, acknowledges them, and then takes them in a new direction. It also is an excellent example of not letting setting take over story. Lots of times, especially in paranormal stories, it’s easy to make the main conflict “THERE ARE VAMPIRES/ZOMBIES/WEREWOLVES/ETC AND THEY MUST BE STOPPED.” And that’s it. But with Buffy, while there is often a Big Bad that must be dealt with, much of the conflict is internal, as the characters struggle to overcome personal obstacles and relationship struggles and existential crises.

I could go on forever about Buffy and all the reasons it’s amazing, and about why it’s an excellent tool for writers — especially if you’re writing paranormal, but really, it can apply to anything. But I think I’ve made my point. If you’re still over there thinking, “I just don’t like vampire shows,” then you’re about where I was back in 1997. Maybe you need to wait six years, then stumble onto a rerun and watch them out of order. Maybe you need to be bored and in the mood for something action-y on Netflix. Maybe you just need to be told one more time that it’s awesome anyway.

Or maybe you’ll never watch it, and will never really understand what you’re missing, and will always kind of wonder why it keeps showing up on “Best of” lists. And you’ll always think those of us who feel so very passionately about it are a tad wrong in the head. Perhaps we are.

But if you come over to the dark side, we have cookies.

Also, if you have watched the series already — or if you are on the fence, and don’t mind a few spoilers — this tribute to the series is fantastic.

Review: Dare You To by Katie McGarry (@KatieMcGarry @HarlequinTeen)

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I don’t know if you remember, but I really loved Pushing the Limits by Katie McGarry. It was the book that made me admit I liked reading contemporary. It was a weird realization — I was pretty sure that if there were no explosions or dragons or magic or aliens, it probably wasn’t the story for me. But nope, that’s not true at all. I loved Echo and Noah, and the beautiful, bittersweet romance that developed between them. When I heard there were going to be sequels, I was excited, but nervous that Katie would go in and introduce more drama and tension for this couple that, in one book, had enough drama and tension for a lifetime.

I needn’t have worried. Dare You To follows one of PTL’s secondary characters: Beth. And this created a whole new set of worries. Beth was an interesting character in PTL, to be sure, but did I want to read an entire book about her? She wasn’t really all that likable.

But ultimately, I decided I trusted Katie. If she could make me love contemporary, surely she could make me love Beth.

The Plot (from Goodreads)

If anyone knew the truth about Beth Risk’s home life, they’d send her mother to jail and seventeen-year-old Beth who knows where. So she protects her mom at all costs. Until the day her uncle swoops in and forces Beth to choose between her mom’s freedom and her own happiness. That’s how Beth finds herself living with an aunt who doesn’t want her and going to a school that doesn’t understand her. At all. Except for the one guy who shouldn’t get her, but does….

Ryan Stone is the town golden boy, a popular baseball star jock-with secrets he can’t tell anyone. Not even the friends he shares everything with, including the constant dares to do crazy things. The craziest? Asking out the Skater girl who couldn’t be less interested in him.

But what begins as a dare becomes an intense attraction neither Ryan nor Beth expected. Suddenly, the boy with the flawless image risks his dreams-and his life-for the girl he loves, and the girl who won’t let anyone get too close is daring herself to want it all…

My Thoughts

When I started reading Dare You To, I was a tad on the worried side. Like Pushing the Limits, the story is told from two perspectives. We open with Ryan, and I was not too fond of him. He seemed exactly like the type of guy I steered clear of in high school. So I wasn’t sure I’d want to spend an entire book with him.

Then we moved to Beth, who was every bit as abrasive and argumentative and damaged as she was in Pushing the Limits. She made bad decisions and was self-destructive and harsh, and I was concerned.

But I knew from PTL that Katie McGarry is adept at taking characters from uncomfortable situations and making them punch me right in my tear ducts, so I persevered. It didn’t hurt that Dare You To was told with the same flowing, evocative prose that caused me to devour Pushing the Limits in just a couple days. And it wasn’t long before I was completely swept up in Beth and Ryan’s story, rooting for characters who I didn’t even like in the beginning. Soon, the pages were flying by, and during the times when I had to reluctantly put the book down for things like parenting and housework, Beth and Ryan stayed with me.

The verdict? I think I loved Dare You To even more than Pushing the Limits. It tugged my heartstrings left and right, made me smile and gasp and cry. By the end, I was completely in love with Beth and Ryan, as well as much of the supporting cast. Yes, there were moments when I wanted to throttle both of them (especially Beth), but only because they stayed so very true to themselves, and sometimes real people do things that are throttle-worthy. But most of the time, it just wreaked complete and utter havoc with my emotions, in the best possible way.

This book is a bit…ahem…hotter and heavier than PTL, and also manages to go a bit darker, a bit more dangerous, a bit more raw. It takes all the things I adored about PTL and amps them up, but in new and refreshing ways. It’s a fabulous follow-up to Pushing the Limits, but will also stand just fine on its own if this is the first of Katie McGarry’s books you’re trying. I will say, as with Noah in PTL, some of Ryan’s inner monologues can begin to smell a tad like Roquefort (read: cheesy), but I was sucked into the story enough that I didn’t care. Dare You To kept me blissfully engaged from beginning to end. If you enjoy emotional, butterfly-inducing YA contemporary romance that doesn’t shy away from some heavy issues, I recommend Dare You To wholeheartedly.

Review: Poison by Bridget Zinn (@HyperionTeens)

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I discovered Poison by Bridget Zinn in a bit of a different way than I discover most books. I noticed a flux of updates on Twitter about helping spread word about an author’s debut, because she couldn’t do it herself. Curious, I followed one of the links, where I learned Bridget’s bittersweet story: she had finally achieved her dream of publication, but hadn’t lived to see it. Bridget died of colon cancer in 2011.

But her story continued, carried on by her family, friends, and colleagues. The reading and writing community banded together to promote Bridget’s book, a lighthearted fantasy about an assassin and a magical piglet. Bridget’s story, combined with my own love of fantasy, pushed this book up to must-read status for me.

The Plot (from Goodreads):

Sixteen-year-old Kyra, a highly-skilled potions master, is the only one who knows her kingdom is on the verge of destruction—which means she’s the only one who can save it. Faced with no other choice, Kyra decides to do what she does best: poison the kingdom’s future ruler, who also happens to be her former best friend.

But, for the first time ever, her poisoned dart . . . misses.

Now a fugitive instead of a hero, Kyra is caught in a game of hide-and-seek with the king’s army and her potioner ex-boyfriend, Hal. At least she’s not alone. She’s armed with her vital potions, a too-cute pig, and Fred, the charming adventurer she can’t stop thinking about. Kyra is determined to get herself a second chance (at murder), but will she be able to find and defeat the princess before Hal and the army find her?

Kyra is not your typical murderer, and she’s certainly no damsel-in-distress—she’s the lovable and quick-witted hero of this romantic novel that has all the right ingredients to make teen girls swoon.

My Thoughts:

Poison is different from most of the fantasy I’ve read, either YA or otherwise.  It’s lighthearted and whimsical, and never takes itself too seriously. I’ll admit, my personal preference normally trends a bit darker, but Poison was a fun read that kept me smiling from beginning to end.

From the first few pages, it becomes clear that Poison is a different type of high fantasy. It’s not Lord of the Rings. It’s not even The Princess Bride. Don’t let this scare you, but if I had to find something to liken it to in tone, I’d probably have to pick…A Knight’s Tale. Yes, that terrible Heath Ledger movie. (That I kind of love anyway. Shh, don’t tell.) It’s got that same mix of medieval setting with modern language and humor, and though the stakes are high, the situation never really feels truly dire, because that’s not the tone of the story.

Kyra isn’t the most likable heroine I’ve ever read, but she’s fun. As the Master-Potioner-turned-attempted-assassin, she doesn’t really turn the trope on its head, but she gives it a refreshing spin. She has her share of cleverness, but also isn’t immune to the semi-regular embarrassment that comes with her not-so -developed social skills. But she doesn’t go SO far into the land of the socially inept that it becomes strange that she catches the eye of the Good Looking Guy. Whose name is Fred, by the way.

Fred is a fun character. Yes, he does arrive on the scene as Good Looking Guy, but he quickly displays a carefree and quirky personality that won me over. But the real star of the story, in my opinion, is Rosie the Magical Piglet.

You know a story is going to be fun when there’s a magical piglet involved.

Together, Kyra, Fred, and Rosie search for the princess, thwart bad guys, and endeavor to save the kingdom. There’s magic in the from of witches and potions, but no sweeping, glittery spectacles. There’s road trips and sword fights and court intrigue, but with none of the grittiness that normally accompanies these things in fantasy. Part of me missed the grit (seriously, I think this was the best fed and least financially challenged group of fantasy travelers I’ve ever encountered), but grit would have clashed with the playful tone of the book.

Poison is a fun, frolicking adventure that enjoys making its readers smile and laugh.  The pages turned quickly, and the plot kept me engaged from beginning to end. If you’re looking for something fun, friendly, and full of whimsy, check it out.

Review: The Eternity Cure by Julie Kagawa (@jkagawa @HarlequinTeen)

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Received an advance digital copy from NetGalley for review.

I was a huge fan of Julie Kagawa’s The Immortal Rules, even though I was a little hesitant at first. Vampire dystopian? Really? Haven’t both those genres been beaten to death with the redundancy stick, resurrected into genre zombies, and then been decapitated with a sword dipped in the blood of a dead horse?

But then I read it, and I loved it. Julie Kagawa’s fluid prose, her complete willingness to dive into the nitty gritty elements of her world, and her unique spin on both the vampire and dystopian genres won me over almost immediately. So when I saw the sequel, The Eternity Cure, was up for review on NetGalley, I requested the heck out of it.

Okay, so you can really only request one way, and there is no way to make an emphatic request, but if there was, I would have done it. I would have strenuously requested.

(NetGalley: “Oh, you strenuously request? Then we’ll take some time and reconsider.”)

I’m getting away from myself here. LET’S TALK ABOUT THE BOOK.

The Plot (from Goodreads):

Allison Sekemoto has vowed to rescue her creator, Kanin, who is being held hostage and tortured by the psychotic vampire Sarren. The call of blood leads her back to the beginning—New Covington and the Fringe, and a vampire prince who wants her dead yet may become her wary ally.

Even as Allie faces shocking revelations and heartbreak like she’s never known, a new strain of the Red Lung virus that decimated humanity is rising to threaten human and vampire alike.

My Thoughts:

The Eternity Cure picks up a few months after The Immortal Rules leaves off, after Allie has left behind her human friends – including Zeke, the human boy she had grown to love – at Eden, the last remaining vampire-free city. Now she’s using her sire bond – a psychic link with the vampire who created her – to track Kanin, and it leads her to her former home, where she encounters a new, deadly plague, as well as some faces from her past she thought were gone forever.

Just like in The Immortal Rules, Julie Kagawa does not shy away from the ugliness of her world. These vampires are not glamorous (even the glamorous ones have an ick-factor), and the world they rule is beyond grim. This is a series where I never feel complacent and I never assume that a character is safe simply because they’re important. She keeps the tension high and the action intense from the beginning through to the end, and just when I thought I might get a break — she’d raise the stakes again.

Some of the secondary characters in The Immortal Rules come front and center in The Eternity Cure, which was awesome. We get to spend a good chunk of time with Jackal, the vampire prince who we last saw staking Allie and throwing her out a window. He returns, dark and snarky as ever, and walks an impressively fine line between villain and reluctant hero. Like all the best villains, he is layered and complex, and is true to himself above all else.

Kanin is also back, and I love him just as much as I did in the first book. I am a sucker for the strong, noble, self-sacrificing type – provided they are not sappy and patronizing – and Kanin fills this role perfectly. He is unwavering in his morals and convictions, and they drive every action he makes, but he is also a man who has made many mistakes, and realizes they come with a price. I cannot say enough good things about his character. There should be more Kanins, both in books and in life.

Zeke and Allie both come into their own a bit in this book. In The Immortal Rules, so much of their relationship was hindered by secrecy. Now, they each know up front who the other is, and have to decide whether or not to come to terms with that. I enjoyed both of them, and appreciated their increased honesty, and the closeness that came from it. I also liked seeing Allie embrace her humanity a bit more, and seeing Zeke really examine his beliefs, instead of just accepting what his father believed. There was good growth from both of them.

As far as the plot, I think I’m becoming a bit immune to plot twists, because I watched everyone freak out about the twists in this book when it was released, and none of them really surprised me. BUT! That didn’t lessen my enjoyment of the book in the least – just because I suspect something is coming doesn’t mean I enjoy watching it unfold any less. So I can’t comment on how surprising or satisfying the twists are. What I can say is that the plotting is tight, the action is prevalent, and once you get to the twisty parts – she pulls no punches. NONE. AT ALL. I begin to wonder if she’s even heard of pulling punches.

The Eternity Cure is a solid follow-up to The Immortal Rules, filled with intense action, thoughtfully developed and varied characters, and break-neck pacing that will keep you turning pages well into the night. Just make sure to keep the light on, because here, there be monsters.

Review: Hopeless by Colleen Hoover (@colleenhoover)

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I picked up Hopeless by Colleen Hoover for one reason, and one reason only. This blog post by Myra McEntire. Sometimes I just want a book to wreak havoc with my emotions, and from the looks of things, this book would fit the bill. I started it one night when I was in A Mood, and YUP. Havoc wreaked. Achievement unlocked.

The Plot (from Goodreads)

Sometimes discovering the truth can leave you more hopeless than believing the lies…

That’s what seventeen-year-old Sky realizes after she meets Dean Holder. A guy with a reputation that rivals her own and an uncanny ability to invoke feelings in her she’s never had before. He terrifies her and captivates her all in the span of just one encounter, and something about the way he makes her feel sparks buried memories from a past that she wishes could just stay buried.

Sky struggles to keep him at a distance knowing he’s nothing but trouble, but Holder insists on learning everything about her. After finally caving to his unwavering pursuit, Sky soon finds that Holder isn’t at all who he’s been claiming to be. When the secrets he’s been keeping are finally revealed, every single facet of Sky’s life will change forever.

My Thoughts

From the very beginning, Hopeless sucked me in. It was one of those “just one more chapter” books, where the pages seemed to be flying by and time appeared to stand still. Until I’d look at the clock and realize I meant to go to bed 2 hours ago.

It starts benign enough. There’s humor and fun characters, and the inevitable meet-cute of Holder and Sky. The romance builds simply and sweetly, with lots of raging hormones and “awww” moments. But even though the first half of the story is relatively light, there is a constant unease simmering just under the surface of the narrative. A feeling that although things seem to be going well, things are not quite right, and when Sky figures it out, it’s all going to come crashing down.

And then it comes crashing down.

Sky was a great character to spend the book with. She was funny and tough, secure and smart. Not your typical self-deprecating, clumsy heroine. And the fact that she was such a strong, confident character made it that much more devastating when, in the second half of the book, she becomes very broken.

Holder was a typical misunderstood-bad-boy-with-a-heart-of-gold, but there’s a reason that trope is so popular. It works. While part of me (the cynical part) rolled my eyes at Sky’s immediate and overwhelming “I’ve never felt this way about a boy” response to him, before she even knows him, the way their relationship develops gave me all the good heart flutters. And then the more I learned about Holder and his past, the more I appreciated him. (Also, eventually, Sky’s somewhat over-the-top initial reaction is explained, making me feel kinda bad I rolled my eyes.)

Now, here comes the part where I give you a warning. The back half of this book is not light reading. There are some very dark and serious issues present, including sexual abuse and suicide, and they are not glossed over. That, combined with the other mature content, makes me need to disclaim that while I loved this book, I would not recommend it for younger teen readers. It may be about high school students, but I’d categorize Hopeless as adult, as I believe that is its primary audience. It deals with some very disturbing topics, and while there are fabulous grin-inducing highs, there are also some horrific lows. So. Proceed with caution.

Hopeless is not for everyone. It may not be for you, and that’s totally okay. It’s a book about healing and surviving after something unimaginably awful. But for me personally, I thought this was a brutally honest, often heartbreaking, yet ultimately uplifting story, with strong nuanced characters and writing that kept me riveted from beginning to end.

Content guide: Contains profanity, sex, mentions of suicide, and sexual abuse, all involving children and teenagers.