Category Archives: Science Fiction

Review: The Fifty-Seven Lives of Alex Wayfare by MG Buehrlen

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I’m going to be honest – Sci-Fi/Fantasy has not been my thing lately. This pains me to say, because I adore those genres, and it’s absolutely not the books’ fault. It’s totally a problem with me. The book I’m trying to write (I say “trying” because I’ve rewritten the ending so many times I’ve lost count, and it is still not right) is very plot-heavy and intricate, and my poor brain is just not capable of processing the world-building that’s necessary in speculative fiction.

Contemporary. That’s all I can do. Because although contemporary fiction can still be smart and intricate, at least my brain is already familiar with the world and the laws of the universe. Plus, contemporary fiction is often focused a lot more on emotion and character than plot. I can handle emotion and character. But plot? I am up to my ears in plot. I have reached my capacity on plot. No more plot.

You’re wondering where I’m going with this, aren’t you?

ALL THIS TO SAY, I was wary about reading MG Buehrlen’s debut, THE FIFTY-SEVEN LIVES OF ALEX WAYFARE, because it is not only sci-fi, but it is the epitome of mind-bendy sci-fi, which is TIME TRAVEL SCI-FI. I didn’t know if my poor brain could handle it.

But I knew I had to at least give it a try, because MG is delightful (I haven’t met her in person — YET — but we converse often enough on Twitter that I feel like I know her. Creepy? Let’s hope not.) and because I have friends who know her and share my taste who swore up and down that her book is brilliant and I would love it. I trust these friends. And I really, really wanted to enjoy MG’s debut. So even though I was pretty sure it would break my brain (again), I gave it a shot.

The verdict? I should never have doubted. I loved it.

The Plot (from Goodreads):

For as long as 17-year-old Alex Wayfare can remember, she has had visions of the past. Visions that make her feel like she’s really on a ship bound for America, living in Jamestown during the Starving Time, or riding the original Ferris wheel at the World’s Fair.

But these brushes with history pull her from her daily life without warning, sometimes leaving her with strange lasting effects and wounds she can’t explain. Trying to excuse away the aftereffects has booked her more time in the principal’s office than in any of her classes and a permanent place at the bottom of the social hierarchy. Alex is desperate to find out what her visions mean and get rid of them.

It isn’t until she meets Porter, a stranger who knows more than should be possible about her, that she learns the truth: Her visions aren’t really visions. Alex is a Descender – capable of traveling back in time by accessing Limbo, the space between Life and Afterlife. Alex is one soul with fifty-six past lives, fifty-six histories.

Fifty-six lifetimes to explore: the prospect is irresistible to Alex, especially when the same mysterious boy with soulful blue eyes keeps showing up in each of them. But the more she descends, the more it becomes apparent that someone doesn’t want Alex to travel again. Ever.

And will stop at nothing to make this life her last.

My Thoughts:

THE FIFTY-SEVEN LIVES OF ALEX WAYFARE does all sorts of things I don’t see often in YA, and especially in this kind of intricately-plotted, genre-bending, world-building-heavy YA.

It gives our main character, Alex, an entire intact family unit, complete with parents, grandparents, and siblings, that is not dysfunctional in the slightest.

It puts at the center of the book a relationship that is in no way romantic, and a male lead who isn’t even kind of swoony (unless you are about 40+ years older than the book’s target audience, in which case 1) GOOD FOR YOU, and 2) go right ahead and swoon).

It presents three possible love interests for the main character, but at no time ever resembles a love triangle, square, hexagon, dodecahedron, or any other geometric shape. And of those three, not a single one is an obviously terrible choice.

Yet at the same time, Alex is not a She’s-All-That-esque swan-in-ugly-duckling-clothing. When she takes off her nerd glasses, she is — shockingly — still a nerd. She never becomes magically popular. She isn’t stunningly beautiful underneath her rumpled appearance. And she actually turns out to be less of a Chosen One than she originally thought.

This all brings me to the main reason I loved this book: It put characters first. A lot of time, even in good books, when there’s this many EVENTS that have to happen on the pages, writers almost seem to run out of room to develop the characters. But with ALEX WAYFARE, the thing that kept me turning pages well past my bedtime wasn’t the thrilling missions through time or the looming menace of the ever-nearing villain — though those were fun too — it was the heart in the characters. It was the fact that the characters rang true.

They reacted illogically. They made mistakes. They carried unfair prejudices. But these weren’t just quirks. They weren’t a laundry list of imperfections so that the characters could be more interesting. They gave the characters depth and history, even when I didn’t agree with them.

Take Alex herself. At one point, she tells a boy that he should know that most girls are “shallow, shallow creatures.” At first glance, a reader might be turned off by that line. That’s an awfully sweeping statement to make about half the human race, isn’t it? Isn’t she a girl? Isn’t her sister, who she adores, also a girl? Why does Alex think she’s such a special snowflake?

But then you realize, Alex literally has no friends. Her only encounters with other girls are with the couple popular girls at school who bully her and gave her an ugly nickname. Everyone else seems to pretty much ignore her. She’s under the impression that the entire school is constantly whispering about her, but in reality, they’re probably not. It’s just her perception of reality. As a result, she closes herself off and tries not to interact with anyone. Ever. So of course she thinks all girls are awful. Her only encounters with them have been negative, and as a coping mechanism, she’s made sure that the only way she will continue to have contact with girls is if they seek her out. And who seeks her out? The bullies.

Vicious cycle.

This isn’t the only example where Alex, or the other characters, rang true in their shortcomings. It’s just one that stood out, because I remember going through a whole circuit of reactions when I read that line. Plus it’s toward the end of the book, so it’s fresh in my memory. I liked that MG Buehrlen didn’t shy away from the less appealing aspects of her characters, but instead explored them and allowed me to see why they’d come to think or act the ways they did. In addition to being a bit prejudiced against her own gender, Alex is impulsive, naive, and kind of shockingly short-sighted at times.

But then these moments of weakness are balanced with strengths. Alex is also clever, inventive, brave, caring, and loyal. Her good points really do outweigh the bad, and I thoroughly enjoyed watching her develop and mature throughout the story. And she’s not the only one. I loved her family, and how involved they all were in each other’s lives. I loved Porter, her middle-aged mentor who teaches her about herself. And I loved Blue, the boy she meets over and over again in each of her lives, and Jensen, the boy on whom she blames her social misfit status.

Outside of the characters, though, I loved the story itself. I loved the creative spin on a reincarnation story, and how each journey into Alex’s past highlighted a different point in history. The narrative weaves seamlessly through different eras, jumping from the modern day to Prohibition-era Chicago to a train heist in the Wild West. It kept me constantly on my toes, wondering where I’d be transported to next, and opened the door to endless possibilities in the future. And I followed the logic of the time travel pretty easily, with most of my questions being answered just a few pages after I asked them.

All in all, I loved the timey-wimey goodness that is THE FIFTY-SEVEN LIVES OF ALEX WAYFARE. It was a fun, energetic  romp through history with characters I enjoyed following on their various (mis)adventures. It helped me rediscover my love of the genre, and made me excited for what’s to come in the series. It ends on a bit of a cliffhanger, and when I turned the final page, I was left simultaneously satisfied and yearning for the next chapter in Alex’s story. If you’re a fan of time travel and adventure and history and heart, I highly recommend this one.

Nutshell Film Reviews: Ender’s Game, The Book Thief, Catching Fire

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I have been a bad blogger lately. I’ve been reading good books and seeing good movies, yet my reviews are few and far between. I blame this on the holidays, and writing, and critiquing, and children, and travel, and the Internet, and Netflix, and queso. Since none of these things are going away any time soon (*whispers I love you queso*) I figure it’s best not to stress about it, and to give you what reviews I can, when I can.

Because really, I know you’re all waiting with bated breath to hear what I think before you decide what book or movie to see next. Right?

(And as a general reminder, reviews from me are also a bit sporadic because I only review what I can also recommend. So I’m reading more books than I’m writing about. Thankfully not a lot more — since life is too short to read bad books — but still, more.)

Anywho, I had lofty plans to write detailed reviews on each of the book-to-film adaptations I’ve seen in the theaters recently, but alas, I just don’t think that’s going to happen. So instead, you’re going to get three mini-reviews, and you’re going to like it.

Okay, maybe you won’t like it. That’s really not up to me. Sorry, got a bit presumptuous there.

The three films I’m going to be talking about are vastly different, their only common denominator that they are all based on books written for young adults, and that they are all books I really enjoyed. They are Ender’s Game (novel by Orson Scott Card), The Book Thief (novel by Markus Zusak), and Catching Fire (novel by Suzanne Collins).

Before I get into the individual reviews, let me mention a few of my opinions that apply to all three movies. First, I found the casting brilliant in all of them (with a couple very minor exceptions) and the acting superb. Even when an actor didn’t look like how I pictured a character from the book, their embodiment of their character more than made up for it. I tend to be pretty forgiving when it comes to actors physically matching character descriptions anyway — to me, the feel of a character is far more important than whether they have the “correct” hair or eye color — but even if I was more of a physical purist, I think I could have forgiven most of the times when casting drifted significantly from the way a character was described in the book, simply because the actor was the character.

I also thought the effects in each film were fabulous. Granted, they were certainly more noticeable in Ender’s space-and-explosions setting than in the historical town of The Book Thief, but none of them had effects that made me roll my eyes or felt at all cheesy. The effects were well-integrated and appropriate, and really helped bring each world to life.

Also, each film had a fantastic score. I’m a sucker for a good soundtrack, and I thought all three of these soundtracks perfectly accompanied the stories being told. Book Thief‘s was simple and haunting, Ender‘s was tense and epic, and Catching Fire’s seamlessly wove between the over-the-top anthems of the Capitol, and the subtler, more intimate melodies of the Districts. All three scores were beautiful, and I’ve already added Ender to my writing playlist.

Okay. With that out of the way, let’s talk about the films themselves.

Ender’s Game

I really, really enjoyed this film adaptation, but after talking to other friends who have seen it who have and have not read the book, I’m willing to admit that it’s possible that this film will appeal far more to those who come into the movie already familiar with the story. The movie made some significant changes to the book, streamlining the complex and nuanced narrative down to its core elements to fit into a 2-hour film, and either truncates or eliminates many of the subplots that give the story its texture. So while I don’t think the movie would have confused someone new to the story, it may not have resonated as much with them. Most of Ender’s internal struggle as he adjusts to Battle School is only hinted at, and we lose almost all of the back story of him and his siblings, which sheds significantly more light on his character. The Mind Game that Ender plays, through which his commanding officers are psychologically evaluating him, also only gets a brief scene, as opposed to being a common thread running all throughout the story. In addition, I could have used at least one or two more Battle Room sequences, where Ender is honing his command style, because that would have really helped the audience understand how his brain works, and why the adults in the movie have so much faith in him. (Plus, Battle Room sequences were my favorite parts of the book and the movie, so I could have happily sat through another half hour of them at least.)

That said, there were other changes I was totally fine with. For example, Book!Ender is probably a good 5+ years younger than Movie!Ender, and this pretty much applies across the board to all the kids. Truthfully, if they’d kept the characters elementary-aged prodigies like they are in the book, it would have been nearly impossible to find child actors who could portray them accurately. They also changed the gender/race of several of the adult characters, and/or combined multiple characters into one, and I thought it worked really well. Also, they updated the graphics Ender and his jeesh see on their displays (the book came out in the ’80s, and as such, has ’80s-era graphics notions), for which I was highly grateful.

The one casting decision I was a little torn on was the character of Bonzo Madrid. The actor was a perfect Bonzo — seriously, I can’t imagine anyone playing his personality better — but by casting a kid who was smaller than Ender, it didn’t seem like quite so much of a David-and-Goliath situation, and therefore didn’t evoke the same kind of tension that their relationship evokes in the book.

However, I still thought Ender’s Game was a great adaptation of one of my favorite books, and that even though it at times felt a bit rushed, it’s still a wonderful story that was amazing to see brought to life on the big screen. If you’re a fan of the book, try to catch it in theaters. If not, it’s worth checking out on Redbox or Netflix in a few months.

The Book Thief

I spent this entire movie in awe of how perfectly it captured the spirit of the book. Even the feel of the book — the drifting, hazy quality that comes from having Death as the narrator — translated to the film. I know I already mentioned that I was a fan of the casting, but I need to give a special shout-out to Sophie Nélisse, who plays Liesel. She was absolutely stunning in the role, and I hope to see her in many, many more films in the future.

There were some minor changes and a few parts missing from the book, but I didn’t miss any of them as I was watching. It was only after leaving the theater and discussing it further that I realized changes had been made. The experience of watching the movie was riveting and immersive, and I was moved to tears over and over (seriously, bring tissues). Each moment of the film felt purposeful and thoughtful, and I have to believe that the writer, director, and cast must be devoted fans of the book to have translated its essence to film so beautifully.

While some events of the book were streamlined or skipped, the movie never felt rushed. The plot was extremely easy to follow, and each of the characters developed wonderfully well. I went to see the film with a friend who had never read the book, and she also adored the movie, so while I still absolutely recommend everyone reads the book, it’s not a prerequisite to enjoy the film.

Bottom line, I thought The Book Thief was a thoughtful, moving, beautiful film that will both satisfy fans of the book and enthrall new fans. It’s adapted from a YA novel, but I believe it will appeal to viewers of all ages, from early teens to great-grandparents. And while it tells about one of the darkest times in human history, it does so in a manner that is sensitive and quietly uplifting without becoming saccharine. It recently opened in wide release, so go look up showtimes and get thee to a theater.

And again. Tissues. I cannot stress this enough.

Catching Fire

I’m going to preface this with the obvious: Catching Fire is a sequel to The Hunger Games, so if you haven’t seen the first one, you should probably do so before you see the second.

THAT SAID! If you saw the first one and weren’t pleased with the deviations from the book, or the extensive use of shaky cam, this one is so much better. (Disclaimer: I really liked the first Hunger Games movie, but I can see why some didn’t.) And if you did like the first movie, prepare to love the sequel.

Catching Fire takes all the best parts of The Hunger Games — the excellent cast, the glorious and appalling extravagance of the Capitol, the musical themes, the visceral sense of the Games — and takes them up a notch, in addition to fixing most of the problems with the first film. Gone is the nausea-inducing shaky cam, the significant changes from the book for the sake of action or shock value.

This film relies far less on putting the viewer in the Games, and more on making the viewer feel Katniss’ and Peeta’s gamut of emotions as they are flung back into a fight for survival. While the first film definitely wrung a few tears from me, I was a mess for most of Catching Fire. Secondary characters that I enjoyed in the first movie — Haymitch, Effie, Cinna — are fleshed out and humanized in this one, and we also are introduced to two of my favorite series characters, Finnick Odair and Johanna Mason.

Again, I know I already mentioned casting, but I need to give a shout-out to Sam Claflin and Jena Malone, who portrayed Finnick and Johanna, respectively, because they were perfect. Neither of them is who I pictured when reading the books, but I can’t imagine anyone doing more justice to the characters. Their scenes were my favorites in a movie full of amazing moments (which is doubly saying something, since Peeta Mellark is one of my favorite fictional characters ever).

Catching Fire is my favorite book in the Hunger Games trilogy, not only because of the amazing characters, but because I like how it digs deeper into the turbulent climate of Panem, and how while we do get a second set of Games, how we experience them is totally different. This time, Katniss is not a lone wolf, but a member of a team. This time, it’s not children in the arena, but adults. And this time, although they ostensibly have the same mission, the underlying tone is that they’re fighting for something far greater than survival. And all of this was somehow even more effective in movie form than in book form. I thought this film did a stellar job in driving home the toll the Games take on the Districts, the savage mercilessness of the Capitol, the horror of the tributes and their families, and the psychological trauma that plagues even the “winners” of the Games. And I thought it set up audience expectation going into the third movie (which is going to be painful) masterfully.

My one quibble with the film was that it still harped a little too much on the supposed “love triangle” (which I still maintain does not even exist in the books), which made Katniss more wishy-washy and hormonal than she should be, given the events going on in her life. I think the filmmakers are shooting themselves in the foot, giving themselves an unnecessary uphill battle in pulling off the end of the trilogy convincingly, all in the name of being able to print more “Team Gale” and “Team Peeta” t-shirts. But it’s a minor quibble, and I can overlook it in light of all the other major things the film got so, so right.

Overall, I can honestly say that not only was Catching Fire one of my favorite movies of the year, but one of my favorite book-to-film adaptations ever. It made me laugh, gasp, and cry on more than one occasion (this is another movie where I must stress, bring tissues). My theater burst into spontaneous applause and cheering at several parts. The cast, the visuals, the direction, and the storytelling were all spot-on. I don’t say this often, but the film was, in my opinion, better than the book. If you are a fan of The Hunger Games, whether in book or movie form, Catching Fire does not disappoint. I’ve already seen it twice in theaters, and may need to see it again. It’s that good.

OKAY. THAT WAS A LOT OF TYPING.

So those are my thoughts on the latest YA book-to-film adaptations, now playing in a theater near you. In non-book-adaptation news, I’ve also seen Thor: The Dark World (twice) and it is also pretty awesome. SO much more of all the things I wanted more of after the first movie (and yes, this includes LOTS more Loki).

Hopefully soon I’ll review some books on here. I spent most of November reading and critiquing friends’ manuscripts (coming down the eventual pipeline to a bookstore near you!), but am now finally caught up and back on the reading-books-currently-on-shelves bandwagon. Right now I’m reading ALLEGIANT, which I’ve managed to NOT SPOIL for myself yet, so please, I know it is polarizing but DON’T TELL ME WHAT HAPPENS. Please and thank you.

In the meantime, seen any good movies lately?

Cover Reveal Celebration + Giveaway: The 57 Lives of Alex Wayfare by MG Buehrlen

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It’s time to PAR-TAY!

MG Buehrlen is one of those online friends that it sometimes feels weird to refer to as a friend, because we’ve only met via social media and email. But we’ve bonded over our shared affection for coffee and Gilmore Girls and Bill and Ted’s Excellent Adventure, so I’m pretty sure we’d do okay. Which means I was super excited earlier this year to hear that MG sold her debut novel, The 57 Lives of Alex Wayfare, not only because I am thrilled for her, but also because it’s a time-travel adventure, folks, and I really can’t get enough of those in my life.

Are you excited? I’m excited.

Today we’re celebrating the cover reveal for THE 57 LIVES OF ALEX WAYFARE by MG Buehrlen with a guest post and a giveaway!

BONUS POINTS: Mention you saw the cover on my blog (when you fill out the giveaway form below) and you can earn extra entries!

Before we get to the cover, here’s a guest post from MG:

5 Things an Author Hopes for in a Book Cover – Guest Post by MG Buehrlen

Waiting for a book cover to arrive can be a nerve-wracking experience for an author. There are so many things you hope for! Here are the top 5 things I hoped for while waiting for cover art from my publisher.

1) To get a say in the cover design.
Every author hopes their publisher involves them and their opinions in the cover design process. Many publishers don’t. They simply hand the author a cover and that’s that. But my publisher, Strange Chemistry, listened to my ideas and feedback throughout the entire process, which is rare in the industry. I’m so appreciative for the chance to collaborate with them on the design.

2) To have kick ass typography.
We went through quite a few fonts, trying to find the one that fit the mood and theme of 57 LIVES. I think we’ve done it.

3) To have the cover depict a scene from the book.
Don’t get me wrong, I love abstract covers, covers that are title-centric, and even covers that are pure symbolism. For 57 LIVES, though, I wanted the cover art to be something readers come across between the pages, so they can flip back to it and feel like they’re in the story.

4) To have artwork that catches the eye and stands out on the shelf.
The colors, the depth of field, the light — I definitely think this cover will stand out on the bookstore shelf. It’s mysterious enough to draw you in, and eerie enough to make you wonder what the story is all about.

5) To see a part of the book’s world brought to life.
The main character in 57 LIVES is Alex Wayfare, a girl who can travel back in time to her reincarnated pasts by accessing Limbo, the space between Life and Afterlife. What you see on the cover is Alex standing in Limbo. I love seeing Limbo brought to life. It makes it feel all the more rich and real. It’s no longer just in my head. Now it’s in the reader’s as well, and that feels magical.

Ready to see the cover? Here it is!

(Lauren again) What do we think, friends? My reaction can be pretty well summed up like this:

I love the dark and mysterious graphic in combination with the playful font. Makes me think this book will be equal parts serious, high stakes combined with fun timey-wimey goodness. (I could be wrong. I haven’t read it. But I have a good feeling about my hunch.) Plus, I think this cover will appeal to both boys and girls and bridge a variety of age groups. I can’t wait to add it to my shelf!

About the Book

One girl. Fifty-seven lives. Endless ways to die.

For as long as 17-year-old Alex Wayfare can remember, she has had visions of the past. Visions that make her feel like she’s really on a ship bound for America, living in Jamestown during the Starving Time, or riding the original Ferris wheel at the World’s Fair.

But these brushes with history pull her from her daily life without warning, sometimes leaving her with strange lasting effects and wounds she can’t explain. Trying to excuse away the aftereffects has booked her more time in the principal’s office than in any of her classes and a permanent place at the bottom of the social hierarchy. Alex is desperate to find out what her visions mean and get rid of them.

It isn’t until she meets Porter, a stranger who knows more than should be possible about her, that she learns the truth: Her visions aren’t really visions. Alex is a Descender – capable of traveling back in time by accessing Limbo, the space between Life and Afterlife. Alex is one soul with fifty-six past lives, fifty-six histories.

Fifty-six lifetimes to explore: the prospect is irresistible to Alex, especially when the same mysterious boy with soulful blue eyes keeps showing up in each of them. But the more she descends, the more it becomes apparent that someone doesn’t want Alex to travel again. Ever.

And will stop at nothing to make this life her last.

Pre-order The Fifty-Seven Lives of Alex Wayfare now!
Barnes & Noble|Books-a-Million|Amazon|Indiebound|The Book Depository

About the Author

When she’s not writing, M.G. moonlights as a web designer and social media/creative director. She’s the current web ninja lurking behind the hugely popular website YABooksCentral.com, a social network for YA (and kids!) book lovers.

These are the places you’ll find M.G. hiding: in her creaky old house nestled in Michigan pines, sipping coffee on her porch, cooking over campfires, and dipping her toes in creeks. Say hello to M.G. on Twitter, Facebook, and Tumblr.

Giveaway Details

One winner from each participating blog (10 total) will receive signed bookmarks and stickers.

One grand prize winner will receive a copy of the book (once available) as well as the Mega 57 LIVES Character Prize Pack (each item pertaining to a significant character in the book):

– A pair of black Wayfarer glasses, like Alex wears
– A pack of chocolate pudding cups, courtesy of Jensen
– Vintage piano sheet music for the song Star Dust, the song Nick plays for Alex
– An orange Baltimore Orioles cap, like Porter wears
– A pair of engraved Polygon game piece stones (You’ll have to read the book to find out how these come into play!)
– A YABooksCentral.com tote bag
– Signed bookmarks and stickers

This giveaway is open internationally. Winners will be chosen and notified by email within 30 days of the giveaway end date.

To enter, fill out the Rafflecopter form below. Extra entries can be earned by following the bloggers involved in the Cover Reveal Celebration.

a Rafflecopter giveaway

Review: Across a Star-Swept Sea by Diana Peterfreund

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When Diana Peterfreund came out with her futuristic re-imagining of Jane Austen’s Persuasion last year, For Darkness Shows the Stars, I highly enjoyed it. I was swept up in Eliot and Kai’s star-crossed love story, and it made me giddy and squishy in the way only Austen can.

So when I discovered there was to be a companion novel — not a sequel, but another story set in the same world, this time to the tune of The Scarlet Pimpernel, I was anxious to read it. And fortunately, a friend graciously offered to let me borrow her ARC (which…I have not yet returned. She had life things and then I had life things and what I’m saying is, Friend, if you want your ARC back, let’s do coffee).

Across a Star-Swept Sea does not pick up where the first book leaves off, and you don’t have to have read FDStS to enjoy it…but I’d still recommend first things first. It’ll be better that way.

The Plot (from Goodreads):

Centuries after wars nearly destroyed civilization, the two islands of New Pacifica stand alone, a terraformed paradise where even the Reduction—the devastating brain disorder that sparked the wars—is a distant memory. Yet on the isle of Galatea, an uprising against the ruling aristocrats has turned deadly. The revolutionaries’ weapon is a drug that damages their enemies’ brains, and the only hope is rescue by a mysterious spy known as the Wild Poppy.

On the neighboring island of Albion, no one suspects that the Wild Poppy is actually famously frivolous aristocrat Persis Blake. The teenager uses her shallow, socialite trappings to hide her true purpose: her gossipy flutternotes are encrypted plans, her pampered sea mink is genetically engineered for spying, and her well-publicized new romance with handsome Galatean medic Justen Helo… is her most dangerous mission ever.

Though Persis is falling for Justen, she can’t risk showing him her true self, especially once she learns he’s hiding far more than simply his disenchantment with his country’s revolution and his undeniable attraction to the silly socialite he’s pretending to love. His darkest secret could plunge both islands into a new dark age, and Persis realizes that when it comes to Justen Helo, she’s not only risking her heart, she’s risking the world she’s sworn to protect.

In this thrilling adventure inspired by The Scarlet Pimpernel, Diana Peterfreund creates an exquisitely rendered world where nothing is as it seems and two teens with very different pasts fight for a future only they dare to imagine.

My Thoughts:

The setting for Across a Star-Swept Sea is far removed from the Luddite estate of For Darkness Shows the Stars. The citizens of Albion and Galatea believe they alone survived the Reduction, but the two islands have very different ideas of how to move forward afterward, and each character in the story believes their way is the right one.

There are two main points of view, Justen and Persis, but several secondary characters get a bit of time in the POV spotlight as well, giving us every side of the conflict. The book plunges headlong into the science and politics that propel the revolution in New Pacifica, and the rebellion led by the Wild Poppy. The plot is smart and doesn’t coddle — there’s a lot of world-building and political set-up in the opening chapters, and that complex wider conflict sets the stage for the more intimate, personal conflict of the characters.

Though Justen and Persis team up almost right off the bat, Justen has no idea who she is — not as a spy, and not as a person — and spends the vast majority of the book believing she’s as vapid and shallow as she appears. Meanwhile, Persis has more than a few misconceptions about Justen as well. The false impressions carry us most of the way through the story, which normally I would find galling, but when you are reading a book based on The Scarlet Pimpernel, it’s kind of what you signed up for.

I enjoyed the characters in this story, maybe Justen a bit more than Persis simply because her Persis Flake act started to grate after a while. It was the point (and Persis was sick of it, too), but gave Justen a slight edge. As for the supporting cast, I enjoyed most of them, and was glad that we got to see perspectives of people on both sides of the conflict and from all the different social classes. It gave the story a good bit of variety and texture. I have to admit, though, I became the most invested when some familiar faces from For Darkness Shows the Stars showed up midway through the book. It was nice to revisit the characters I’d grown attached to in the first book and see how they interacted with the new characters in this unfamiliar setting.

Across a Star-Swept Sea isn’t as heavy on the romance as For Darkness Shows the Stars, though it certainly has its moments. Its plot relies more on intrigue and scheming, and so I found myself invested more in the fate of the people of New Pacifica, and Persis’ secret identity as the Wild Poppy, than the will-they-or-won’t-they between Justen and Persis. And really, that was enough, because that plot was interesting enough on its own. And I thought that was fitting, because it put my priorities in line with the characters, most of whom put the Revolution ahead of themselves. So the romance became a sweet dollop of icing on an already tasty cake.

If you’re a fan of both sci-fi and the classics, or if you read For Darkness Shows the Stars and want to revisit the post-Reduction world Diana Peterfreund created, or if you simply enjoy a smart futuristic tale populated with a variety of colorful characters, I’d recommend you pick up Across a Star Swept Sea.

Review: Infinityglass by Myra McEntire

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So you want to know my absolute favorite thing about this blog? Not only has blogging helped me discover oodles of fantastic books, but it’s helped me become aware of the large and thriving book community right around where I live. A community that includes published authors, soon-to-be-published writers, agented writers, non-agented writers, bloggers, and everything in between. A little over a year ago, I had never heard of Myra McEntire. Since then, I’ve discovered her fabulous books, but more importantly, I’ve gotten to know her, and she’s become a wonderful friend.

Next week, the last book in Myra’s Hourglass trilogy, Infinityglass, will hit shelves, and I’m so, so excited for you to read it.

This review is going to be a little different from my usual, because I actually had the privilege of beta reading Infinityglass. So I can’t review it with complete objectivity, since I was so involved in the writing process. (Really, I just want to write READ IT READ IT NOW IT’S SO GOOD YOU’LL LOVE IT READ IT NOWWWWWW!) But I’m going to try my best.

The Plot (from Goodreads):

The stakes have risen even higher in this third book in the Hourglass series.

The Hourglass is a secret organization focused on the study of manipulating time, and its members — many of them teenagers -­have uncanny abilities to make time work for them in mysterious ways. Inherent in these powers is a responsibility to take great care, because altering one small moment can have devastating consequences for the past, present, and future. But some time trav­elers are not exactly honorable, and sometimes unsavory deals must be struck to maintain order.

With the Infinityglass (central to understanding and harnessing the time gene) at large, the hunt is on to find it before someone else does.

But the Hourglass has an advantage. Lily, who has the ability to locate anything lost, has determined that the Infinityglass isn’t an object. It’s a person. And the Hourglass must find him or her first. But where do you start searching for the very key to time when every second could be the last?

My Thoughts:

From the first few moments of Infinityglass, it’s clear that this is going to be a different sort of story from the first two books in the series. For one thing, as with Timepiece, we have a new narrator — but this time, there’s two of them, and one of them is someone we’ve never met. And for another thing, it moves out of Ivy Springs, Tennessee, to the bustling streets of New Orleans, Louisiana.

The first voice we’re treated to in Infinityglass is the titular character herself, Hallie. Hallie’s different from the other female characters in the series; she’s bold, reckless, assertive, and a bit on the dangerous side. She also, like the other members of the Hourglass, has the time gene, giving her unique and uncanny abilities. However, Hallie’s grown up in a very different environment from the Hourglass folks we know and love, and her attitude about time genes, time rips, and her role in it all does not necessarily jive with what all the characters have believed and discovered in the first two books.

Enter the second narrator, Dune. Unlike Hallie, Dune is a character first introduced in Hourglass, but he’s always remained a secondary character, his powers explained, but not explored. In Infinityglass, Dune finally gets his chance to shine. He goes to New Orleans as an expert on the Infinityglass, tasked with figuring out the best way to handle “it” now that they know “it” is a “her.” Now, I liked Michael, and I loved Kaleb — and I know many of you did too — but Dune is not either of them. He’s his own person, strong and quiet, intelligent, analytical, and haunted by a few demons of his own.

One of my favorite things about this series is the diverse cast of characters (both in personality and heritage), and all the different ways a person can be strong and complex. And of course, in true Hourglass series style, there are swoons and kisses galore throughout the book, both from our favorite established couples, and from a sizzling new pairing.

Together, Dune and Hallie try to puzzle out what it means for Hallie to be the Infinityglass, both for her personally, and for the world as a whole, which is still being flooded with ever-intensifying time rips. Meanwhile, the nefarious Jack Landers is still at large, along with Teague, the head of the anti-Hourglass organization Chronos, who wishes to use the Infinityglass for her own, undoubtedly villainous, purposes. The more Dune and Hallie learn about the Infinityglass and Chronos, and Hallie discovers about her frightening abilities, the more it becomes clear that they’re going to need help from the rest of the Hourglass team.

The book builds to an action-packed conclusion, allowing the key players from the first two books to return while keeping the spotlight firmly on this book’s two protagonists, Dune and Hallie. Questions posed throughout the series are answered, action is abundant, and it ends on a satisfying note full of promise for the future. Just like the first two books, it’s chock full of action, kissing, superpowers, witty banter, and pop culture references (including several Doctor Who nods — of course). I loved it, and I hope you do too.