Review: The Bitter Kingdom by Rae Carson

The Bitter Kingdom is the conclusion to Rae Carson’s epic fantasy trilogy that started with The Girl of Fire and Thorns and continued with The Crown of Embers. As you might remember, I enjoyed the first book in the series, but it was the second one that made me a die-hard fan. From the twisting plot to the fully realized magical world unlike anything I’ve ever read, it is everything I want in a fantasy. And it didn’t hurt that it features Hector, one of my favorite fictional characters of all time. (Elisa, the main character, is no slouch herself).

So of course, The Bitter Kingdom was one of my most anticipated books of 2013. I couldn’t wait to hear how Elisa’s and Hector’s adventures would conclude, and if she would finally complete her act of service and fulfill her destiny as The Chosen One.

The Plot (from Goodreads):

The epic conclusion to Rae Carson’s Fire and Thorns trilogy. The seventeen-year-old sorcerer-queen will travel into the unknown realm of the enemy to win back her true love, save her country, and uncover the final secrets of her destiny.

Elisa is a fugitive in her own country. Her enemies have stolen the man she loves in order to lure her to the gate of darkness. As she and her daring companions take one last quest into unknown enemy territory to save Hector, Elisa will face hardships she’s never imagined. And she will discover secrets about herself and her world that could change the course of history. She must rise up as champion-a champion to those who have hated her most.

My Thoughts:

The Bitter Kingdom begins with one of my favorite epic fantasy conventions: The Long Journey Into Unknown Lands. In this case, Queen Elisa and her small band of allies are traveling to the hostile territory of Invierne to rescue Hector, the Captain of the Royal Guard, and also the man who holds Elisa’s heart, who was taken captive at the end of The Crown of Embers. Before they can get to Hector, Elisa and her companions must overcome both the harsh winter weather of Invierne and the mysterious, deadly magic wielded by the Inviernos. But in The Bitter Kingdom, we are treated to something we never got in the first two books: Hector’s point of view. So we are able to watch as he undermines and sabotages his captors, trying to delay their plans until Elisa comes for him.

I loved how Rae Carson turned the damsel in distress trope on its head by having Elisa be the one to go after Hector. Not only was it fun to watch the queen rescue the soldier, but it evidenced Elisa’s tremendous growth since the first book. She was no longer cautious and filled with self-doubt, but finally comfortable in asserting her power as Queen. But although Hector was tied up and weakened, he was not helpless either. It was fantastic to see the two of them work together to secure Hector’s freedom, even though neither of them knew what the other was doing. And as expected, I still loved Hector and Elisa. Adding Hector’s point of view was brilliant, and it was amazing to witness his cold strategizing coupled with his tender thoughts toward Elisa.

As far as Elisa goes, in The Bitter Kingdom we see her both at her most powerful and her most vulnerable. Just when I thought her character arc may be complete, going from a meek princess with a low self-esteem to a confident queen in control of inconceivable magic, she plummeted back down and had to claw her way up again. I thought it was a stroke of genius, because it not only kept the stakes high and her character vulnerable, but it really let us see how Elisa has grown as a person, even apart from the Godstone.

I also enjoyed the secondary characters. The cast is smaller in this book, and I missed spending time with some of my favorite characters from Crown of Embers (the most noteable being Tristán), but almost every character makes at least a cameo appearance in the second half of the book, where we get some insight into where they wind up. Meanwhile, a couple lovely new characters are added to the cast, and some familiar characters are developed further. My favorite was probably Storm, the Invierno-turned-Joyan that we meet in the second book. He evolves from someone truly unlikable when we first meet him to one of the most fascinating characters in the series. I could read an entire book (or series) just about him and his family and his conflicted loyalties.

After the Epic Journey concludes, it’s up to Elisa to stop a war, unite her people, get to the bottom of the magic the Inviernos are using to conquer anyone in their path, and discover her purpose as bearer of the Godstone. It’s a tall order, and Rae Carson handles it brilliantly, with lots of action and intrigue interspersed with Elisa’s own personal reflection as she struggles to be the person God needs her to be. By the end of the book, I had all of my big questions answered and felt satisfied with where the others were left.

The Bitter Kingdom was everything I want in the conclusion to a trilogy: action, intrigue, smart plotting, fantastic character development, and a satisfying conclusion. I’d wholeheartedly recommend this series to fans of fantasy and adventure, or just someone looking for a masterfully crafted, well-told tale.

Review: Vicious by V.E. Schwab

I have been salivating over Vicious by V.E. Schwab since she first announced its existence on Twitter. I don’t think it’s any big secret that I love a well-written villain. So finding out that Victoria, whose writing I adore, had penned an entire novel about supervillains? Bliss. Pure, utter bliss. The only problem was that I had to actually wait for Vicious to release, and I suck at waiting.

BUT because I live in the best writing community in the entire world*, one that is home to one V.E. Schwab, I was actually able to get my hands on an early copy. Naturally, I devoured it almost the second I got my grimy** little fingers on it (not the exact second, as I had to drive home and that would’ve gotten messy). As expected, I loved every single twisted page.

Disclaimer: You’ve probably heard of V.E. Schwab’s alter ego, Victoria Schwab, author of The Near Witch and The Archived. Victoria is a YA author. V.E. is an Adult author. Vicious is an Adult book, with an adult voice and adult content. It’s still very much Victoria’s lovely writing, but it does not feel like her YA. It’s all grown up and dark and twisted and in need of therapy. So if you are a teen, or an adult who prefers YA, a word of caution before jumping on the Vicious bandwagon. It’s fantastic — but it’s not YA.

*I have not lived in every writing community in the world — just the one — but I’m pretty sure it’s the best.

**They were probably not actually grimy, but I can’t rule it out since I had tacos for dinner.

The Plot (from Goodreads):

Victor and Eli started out as college roommates—brilliant, arrogant, lonely boys who recognized the same sharpness and ambition in each other. In their senior year, a shared research interest in adrenaline, near-death experiences, and seemingly supernatural events reveals an intriguing possibility: that under the right conditions, someone could develop extraordinary abilities. But when their thesis moves from the academic to the experimental, things go horribly wrong.

Ten years later, Victor breaks out of prison, determined to catch up to his old friend (now foe), aided by a young girl whose reserved nature obscures a stunning ability. Meanwhile, Eli is on a mission to eradicate every other super-powered person that he can find—aside from his sidekick, an enigmatic woman with an unbreakable will. Armed with terrible power on both sides, driven by the memory of betrayal and loss, the archnemeses have set a course for revenge—but who will be left alive at the end?

In Vicious, V. E. Schwab brings to life a gritty comic-book-style world in vivid prose: a world where gaining superpowers doesn’t automatically lead to heroism, and a time when allegiances are called into question.

My Thoughts: 

I loved Vicious from the first few chilling pages. Vicious is a little grittier, a little bleaker than Victoria’s YA novels, but although the prose is more stark than in her other books, it lacks none of her characteristic lyricism. It’s obvious from the disturbing opening — where we meet two of our main characters as they dig up a grave — that the reader is in for a well-crafted tale spun by a mind that is twisted in the best possible way.

Let’s talk for a minute about characters. Vicious focuses around two central characters, Victor and Eli, once best friends, now mortal enemies. Each has his own small band of misfit allies, some with powers, some without. And the best part of every single one of these characters is that each of them chooses sides based on what they believe in their hearts to be right. Maybe not good, but right. The calls they make are difficult, their actions are not clean and the consequences are often messy, but each fully realized secondary character picks the side they think is best not just for them individually, but the world as a whole. Which makes every character think they are fighting for the side of light, when in reality, they all inhabit a world of gray.

Sorry, I couldn’t resist.

Getting back to Eli and Victor, my favorite villains in fiction have always been the ones who were motivated by more than darkness, power, and a desire to watch the world burn. Sure, there’s a strange dark beauty in a villain who will stop at nothing to destroy the hero, simply because he stands on the side of good. The Jokers and the Voldemorts and the Moriartys. But an excellent villain is one who can make me root for him, in spite of the fact that he opposes our hero, because in his own mind, he is right. These are the Lokis, the Magnetos, the Dr. Horribles, the Javerts. They’re the villains I know need to be defeated, but I keep hoping they will redeem themselves, because they make me care for them. Sometimes even more than I care for the good guys.

Eli and Victor both fall into this second category. Vicious is a book about villains, except none of the characters see themselves as particularly villainous. Certainly neither starts off that way. Eli and Victor begin as college roommates and best friends, whose downward spiral into villainy begins as nothing more than a thesis project and a flight of fancy. This is not a case of characters destined to be evil masterminds. They’re simply two guys who were, quite literally, too clever for their own good.

Ironically, the character who is indisputably the more righteous of the pair is probably the closest thing to a pure villain, whereas the one who comes across as more heroic (although even he is far from a hero) sees himself as irredeemable. The character with the stronger moral compass drifts deep into the darkness, while the one with little empathy or remorse holds himself in check right where the light begins to fade into shadow. It’s a fascinating dichotomy, and brilliantly executed. Vicious doesn’t paint either protagonist in particularly rosy colors, and both characters make terrible decisions and, at one point or another, commit terrible acts of violence with motives that are far from noble. But in this world where nothing is as simple as black and white or good and evil, it’s fascinating to see who we root for. I finished the book thinking really, one character wasn’t so bad — surely he wasn’t a villain — until I thought back to what he actually did, and I realized yes, yes he was. He just wasn’t as much of a villain as the other character. And I didn’t want anything bad to happen to him, because I liked him — even though in a black-and-white world, I really shouldn’t have liked him.

As for the plot itself, Vicious is an intricately woven tale of intrigue and deception, betrayal and revenge. The rules of the world are simple and clear, enough that you find yourself wondering if maybe it is possible to give yourself superpowers through thwarting death. The twists and turns aren’t predictable, yet everything makes sense. The action isn’t constant, but ebbs and flows in a natural rhythm that keeps the pages flying by. Victoria masterfully builds the tension leading to the final confrontation between Victor and Eli throughout the entire book, slowly ratcheting up anticipation until it’s almost unbearable. And when they finally do meet, the result is explosive, bloody, and deliciously satisfying. I was left wanting more, not because any threads were left dangling, but because this world and these characters were so painfully amazing that it hurt to be parted from them.

If you’re a fan of sympathetic villains and realistic superpowers and dark, twisty tales brimming with moral ambiguity, make haste to your nearest bookseller and pick up a copy of Vicious. Run, don’t walk. Or, if you can, fly.

Review: Deception by C.J. Redwine (and SIGNED ARC GIVEAWAY!)

I absolutely loved C.J. Redwine’s debut post-apocalyptic fantasy adventure, Defiance. It was one of my favorite books of 2012, probably because it’s exactly the kind of story that appeals to me: strong, smart characters battling creepy villains, lots of action, sweet romance, and A DRAGON THAT LIVES UNDERGROUND. Seriously, the underground dragon would probably have been enough for me. Probably. But dragons aside (…did I really just say “dragons aside?” Who even am I anymore?), it’s an amazing story.

So when C.J. offered me an early opportunity to read the sequel, Deception, of course I jumped on it.

I mean…not literally. You shouldn’t jump on books.

And I am pleased to report it totally lived up to my expectations. And this is good for several reasons.

1) Because Defiance is awesome, so it’s good that the sequel is also awesome.

2) Because Deception hits bookstores today, so you can go get your copy right now.

3) Because I’m giving away my SIGNED ARC of Deception to one of you lucky readers!*

So without further ado, let’s talk about Deception, shall we?

The Plot (from Goodreads):

Baalboden has been ravaged. The brutal Commander’s whereabouts are unknown. And Rachel, grief stricken over her father’s death, needs Logan more than ever. With their ragged group of survivors struggling to forge a future, it’s up to Logan to become the leader they need—with Rachel by his side. Under constant threat from rival Carrington’s army, who is after the device that controls the Cursed One, the group decides to abandon the ruins of their home and take their chances in the Wasteland.

But soon their problems intensify tenfold: someone—possibly inside their ranks—is sabotaging the survivors, picking them off one by one. The chaos and uncertainty of each day puts unbearable strain on Rachel and Logan, and it isn’t long before they feel their love splintering. Even worse, as it becomes clear that the Commander will stop at nothing to destroy them, the band of survivors begins to question whether the price of freedom may be too great—and whether, hunted by their enemies and the murderous traitor in their midst, they can make it out of the Wasteland alive.

In this daring sequel to Defiance, with the world they once loved forever destroyed, Rachel and Logan must decide between a life on the run and standing their ground to fight.

My Thoughts: 

If you’re still reeling from the catastrophic ending of Defiance, fear not. Deception picks up very shortly after Defiance ends, with Logan and Rachel trying to figure out what to do with the hundred-plus survivors of Baalboden. It hits the ground running, and the first couple chapters introduce a lot of new characters. At first, I was a little concerned about all the names being flung at me. Defiance was mostly Rachel and Logan alone in the wilderness, so I didn’t have to worry about oodles of secondary characters. But never fear; C.J. Redwine handles her new, expanded cast deftly. Within a few chapters, the glut of new names were fleshed out into fully realized characters. I had no trouble remembering who was who, and I loved so many of the new players. Quinn and Willow, in particular, rocketed up to the top of my Favorites list. Their story was so layered and intriguing. If C.J. ever wants to do a spin-off series about the two of them, I’d read it.

There are two main conflicts in Deception: the problem of what to do with all the survivors, who are still being pursued by the nefarious Commander, and the alarming realization that there is a traitor in their midst. The resulting balance between action-driven tension as they flee the Commander’s army, and internal tension as Rachel and Logan try to suss out who has betrayed them, was masterfully handled, and kept me turning pages long after I should have turned out the lights and gone to bed.

Personally, my favorite part of the book was the murder mystery. C.J. gives the reader enough clues that it is possible to guess the murderer (I did), but you’re never 100% sure you’re right. I think that’s the mark of a well-handled mystery. I don’t like it when the answer comes out of nowhere, nor do I appreciate it being so obvious that it kills the tension. There’s a fine balance, and Deception does it well. The fact that it performs this feat while the characters are fleeing through the wilderness and fighting armies and blowing stuff up and cowering from dragons just makes it that much more amazing. And when you do find out who the murderer is, it comes with a few twists of its own that perhaps a more savvy reader could have guessed, but took me totally by surprise. In a good way.

I also really appreciated that Deception did not fall prey to the common practice to break up the two main characters who spent a good chunk of the first book coming together. A lot of times, it seems storytellers get bored with functional romantic relationships, so they throw in DRAMA and pull the characters (that they spent so much time convincing us were MFEO) apart. Not so in Deception. Rachel and Logan mature both as characters and as a couple, and like most couples who have weathered a few storms, are allowed to get upset with each other and disagree, without it having to mean they CAN NO LONGER BE TOGETHER EVER, OH THE ANGST.

Speaking of angst, Deception does not shy away from high stakes and raw emotion. Much like a certain wagon scene in Defiance, one chapter needs to have a warning label to have a box of tissues handy, or at least change your shirt into one that can double as a tissue. A lot of times in books, and perhaps in YA in particular, it seems that the Strong Female Characters can’t show their emotions. They can’t grieve their losses or feel broken from pain. In these books, I appreciate that Rachel is strong, but also feels so much. Emotions don’t make a character weak. Neither do tears. And I think it speaks so much to the character of Rachel that she can hurt and weep and break, but then she gets up and keeps going. She carries her losses with her, and they make her stronger. But because the reader is in Rachel’s head when horrible things happen to the people she loves, we get to feel all that strong emotion right along with her.

So. As I said. Box of tissues. Change of shirt. You have been warned.

I could go on for ages about how much I love this series, these characters, this world, but I think you’ve got the gist of it. Adventure. Murder. Dragons. Villainy. Romance. Swordfights. Treachery. Anguish. Triumph. All stirred up together in a fantastic, masterfully executed whirlwind of action and tension and twists and emotion. I couldn’t put it down.

And now the giveaway! Enter below to win my signed ARC of DECEPTION! U.S. only, please. Giveaway will run for one week. (And I shouldn’t have to say this, but no cheating. I’ll be checking.)

a Rafflecopter giveaway

*You can put it in a place of honor on your shelf right next to the shiny hardcover that I know you’re totally going to buy, right? Because ARCs are cool (especially signed ARCs), but real books are better. And C.J.’s real books are so very pretty.

Review: Daughter of Smoke and Bone by Laini Taylor

I’ve had several conversations in the past few months about Laini Taylor’s Daughter of Smoke and Bone. I’ve heard friends rave about the writing, but also furrow their eyebrows and scratch their heads when it came to the plot. It was enough to pique my interest. I had friends who loved it and friends who were incredibly frustrated by it, so of course I had to see for myself. Plus I’m always up for some well-crafted fantasy.

The Plot (from Goodreads):

Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil’s supply of human teeth grown dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherwordly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she’s prone to disappearing on mysterious “errands”; she speaks many languages not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out.

When one of the strangers—beautiful, haunted Akiva—fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

My Thoughts:

First off, Laini Taylor’s writing is gooooooorgeous. There are many authors who write beautifully, and I admire them greatly, but hers is possibly the most vivid and flowing prose I have ever read. The only problem with it is that it was so lovely and lyrical that it kept putting me to sleep. I need to emphasize, this is not because the story was dull. It’s because it was the reading equivalent of listening to soothing music, and once you throw in a bed or a recliner or a sunny day…I didn’t stand a chance. It was the strangest experience. I’ve never had that happen before with a book I actually found interesting. Normally, books that put me to sleep are boring. This one wasn’t. Just soothing. I should probably have read it in a straight-backed chair with a cup of coffee, but that’s no fun.

Her world building is also fantastic. Every setting, from the streets of Prague to the otherworldy homes of the seraphim and chimaera, is fully realized and tangible. She painted detailed word pictures that really brought the environments and characters to life. In reading this book, I felt like I was getting a master class in setting and description. It’s amazing.

The characters are varied. Karou is great, brimming with personality and quirks and feistiness. Especially in the first half of the book, before the history really comes into play, she is so much fun to read. Her conversations with her best friend, as well as the tiny wish-pranks she pulls on those who cross her, were some of the highlights of the book for me. Once her story merges with Akiva’s, she looses a bit of the vivaciousness that I enjoyed about her, but never falls flat.

As for Akiva, he left me wanting a bit. I understand why he is the way he is — a warrior who has trained himself to suppress his emotions, empathy, and gentler instincts for the sake of survival — but this granite persona didn’t seem to me to be a natural complement to Karou’s fierce vitality. Their relationship, especially at first, didn’t seem to be based on a whole lot more than his stunning attractiveness. It just left me wondering if there could be a lot more to life than being really, really, ridiculously good-looking*. He’s not unpleasant, he’s just a little flat. For me to buy their deep ties to each other, I wanted a bit more from him. I hope it happens in the sequel.

As for the plot, I can see where some people had difficulty. The book really changes tone about 2/3 of the way through. Not only does it change from more lighthearted and occasionally witty to dark and epic, but it shifts focus from Karou’s quest to learn what’s happened  as a result of the black handprints, to Akiva’s story of events that happened before Karou was even born. The back story becomes the plot, and the result is that essentially nothing happens in the “present” for the last third of the book. You just learn why the things that have happened, happened.

Now I really can’t tell you how to feel about this. For me, it was a little dissatisfying to realize that the present plot — Karou’s plot — was not going to move forward before the book ended. But at the same time, all the history that is revealed is imaginative and fascinating, so while I wished there was more plot progression, I enjoyed everything I learned. I absolutely plan on reading the sequel, and look forward to finding out what happens to Karou and Akiva now that all the history has been revealed. I also hope that several enjoyable characters from the beginning of the book who disappeared in the latter half are able to make a reappearance.

If you’re a person who really needs to know what is going to happen, and not only why it’s all happening, this book may not work for you. But if you think you will enjoy a book that is primarily character exploration, world building, and back story — so essentially, set-up for the sequel — then this book is beautifully executed and I highly recommend it.

* sorry, I couldn’t help it.

Writerly TV: Buffy the Vampire Slayer

You may or may not be aware that we just passed the 10th anniversary of the final episode of Buffy the Vampire Slayer, a show that, despite its silly name, is often considered by both fans and critics to be one of the greatest shows of all time. I admit, I held out on this show for a while. I saw the original movie, and it was terrible. So although the show premiered while I was still in high school, and although I had friends who watched and loved it, I didn’t think it would be for me. I wasn’t really into teen shows, and I wasn’t into vampires.

Years later, after graduating college, I got a job working the graveyard shift at a hotel. It. Sucked. But one day, as I ate “lunch” at 4:00 p.m. while preparing for work, I turned on the TV. My options were limited. But eventually, my channel surfing paused on a show that looked interesting. The dialogue was snappy and smart. The characters seemed interesting. And holy whoa, suddenly there was kung-fu. While snarking.

After a few minutes, I was hooked. Buffy became my daily get-ready-for-work show, and even though I started watching mid-season 5 (A WEIRD TIME TO START THE SHOW, LEMME TELL YA), I eventually figured out most of the back story and mythology. Using powers of mind control I have still never been able to replicate, I convinced my fiance (now husband) that this show was not too girly for him, and he joined me in my addiction. We watched through the end of season 6, then started from the beginning as the reruns cycled back around. We caught up just in time to catch the final season as it aired. I remember watching the series finale in his parents’ basement, a month before our wedding. We had gone out for the evening on some sort of wedding-related activity, but demanded that we return in time for Buffy. IT WAS QUITE IMPORTANT. (BTW: DVRs are a good invention. I appreciate them quite a lot.)

So what’s the deal with Buffy? Maybe you heard it was awesome, and watched a few episodes of the first season, then gave up. I wouldn’t blame you. (Okay, I would, but not a lot.) The first season was working with a low budget and a big concept. The effects are awful. The season-long Big Bad is campy. And it followed a monster-of-the-week format featuring creatures that were often just plan weird.

I am fully aware that this is not from Season 1. And of who the monster is. But you have to admit, this gif still sums up the problems of Season 1 pretty well.

It. Gets. Better.

Buffy really starts to come into its own in Season 2, when it started to embrace serialization and season arcs a bit more. It also dared to go a bit darker, which helped immensely. And as the show matured, it grew bolder, took bigger risks, told broader stories. Not all the seasons are perfect — every one has a few stinker eps — but even Buffy at its weakest is better TV than many shows at their strongest.

The strength of Buffy is not in its kick-butt action sequences (although the karatepires are indeed awesome). It’s the characters, and how they evolve over whatever length of time we get to spend with them. Characters we meet as villains become heroes, and heroes become villains. Characters with superpowers fail, and characters with no powers triumph. They are constantly growing and changing, making mistakes and learning from them. More than anything, they feel real. While Buffy Summers is indisputably the main character, her friends, family, allies and nemeses all get fully fleshed out. They each have their own struggles and arcs and amazing development. If you want to know how to make an audience invest in side characters, or how to make each and every character the hero of their own story, this is the show to watch.

Additionally, Buffy remains one of the best shows for witty banter, ever. The writing is sharp and tight, somehow managing to perfectly blend humor and darkness, tragedy and levity. It’s a serious show that deals with serious issues, but it’s also hilarious and silly. Its emotions are real and raw, but it balances them with moments of unexpected lightness.

Buffy the Vampire Slayer is not just a show about a girl slaying vampires, or kids developing superpowers. It’s a show about growing up, finding yourself, making mistakes, facing challenges, and developing the relationships that help define who you are. Yes, there’s monsters and action and magic, but if that’s all it was, it would be no different than the dozens of other shows with that M.O. There’s a reason Buffy is the bar all the others aspire to. There’s a reason it’s considered great, and not just lumped in with all the other “vampire shows” or “teen shows.” It uses a supernatural setting and fantastic conflicts to tell stories we can all relate to. It takes character archetypes we think we know — the cheerleader, the homecoming queen, the book nerd, the bad boy, the comic relief — and turns them on their heads, exploring how these people are the archetypes, but are also so much more.

For writers, I think it’s a fabulous study not only in character development and banter and story arcs, but also in the unexpected. Buffy never shies away from going to the places we don’t anticipate. It takes the tropes and forms we’ve come to expect, acknowledges them, and then takes them in a new direction. It also is an excellent example of not letting setting take over story. Lots of times, especially in paranormal stories, it’s easy to make the main conflict “THERE ARE VAMPIRES/ZOMBIES/WEREWOLVES/ETC AND THEY MUST BE STOPPED.” And that’s it. But with Buffy, while there is often a Big Bad that must be dealt with, much of the conflict is internal, as the characters struggle to overcome personal obstacles and relationship struggles and existential crises.

I could go on forever about Buffy and all the reasons it’s amazing, and about why it’s an excellent tool for writers — especially if you’re writing paranormal, but really, it can apply to anything. But I think I’ve made my point. If you’re still over there thinking, “I just don’t like vampire shows,” then you’re about where I was back in 1997. Maybe you need to wait six years, then stumble onto a rerun and watch them out of order. Maybe you need to be bored and in the mood for something action-y on Netflix. Maybe you just need to be told one more time that it’s awesome anyway.

Or maybe you’ll never watch it, and will never really understand what you’re missing, and will always kind of wonder why it keeps showing up on “Best of” lists. And you’ll always think those of us who feel so very passionately about it are a tad wrong in the head. Perhaps we are.

But if you come over to the dark side, we have cookies.

Also, if you have watched the series already — or if you are on the fence, and don’t mind a few spoilers — this tribute to the series is fantastic.