Review: SUFFER LOVE by Ashley Herring Blake

You know those tasks you really should get to, but you have so much time in which to get to them that it’s really not important that you do them right now? So you put them off, and put them off, watching your available time shrink and shrink and shrink until there’s barely enough time to get them done? But by then it’s stressful and rushed, and that gives you anxiety, so instead of buckling down and getting through your tasks, you put them off even more? Until there’s no possible way you can get them done in time, so really, why even try? And then you give up and feel like a failure and claim things “just got away from you,” but you know the truth?

Please tell me I’m not the only one who does this.

Anyway, this has been me and Ashley Herring Blake’s gorgeous YA debut, Suffer Love.

Ashley, as anyone who even casually follows me on Twitter probably knows, is one of my critique partners, but we didn’t meet until after she’d already written and sold Suffer Love. However, she said she could use one more pair of eyes on it before she went into copyedits, so she sent it to me and I read it over, making a few tiny suggestions here and there, but mostly just being utterly absorbed in and swept away by the characters and their story.

This was — I just looked it up — November, 2014.

Suffer Love released in May of this year.

Which means I’ve had a year and a half to write this review and put it up before the release date, and I still didn’t manage to get it done in time.

Anyway, I’m finally getting to it now, because I loved this book and I love Ashley and it deserves a glowing review…even if it’s a little late.

The Plot (from Goodreads):

“Just let it go.”

That’s what everyone keeps telling Hadley St. Clair after she learns that her father cheated on her mother. But Hadley doesn’t want to let it go. She wants to be angry and she wants everyone in her life—her dad most of all—to leave her alone.

Sam Bennett and his family have had their share of drama too. Still reeling from a move to a new town and his parents’ recent divorce, Sam is hoping that he can coast through senior year and then move on to hassle-free, parent-free life in college. He isn’t looking for a relationship…that is, until he sees Hadley for the first time.

Hadley and Sam’s connection is undeniable, but Sam has a secret that could ruin everything. Should he follow his heart or tell the truth?

My Thoughts:

It’s well-known that parents are scarce in YA literature. Either they’re dead, or they’re absent, or they’re around but strangely invisible. It’s understandable; YA is about teens, and it’s hard to put teens front and center if their parents are continually barging in and trying to take charge. So many YA stories deal with this by simply removing the parents, or shifting them to the background.

To be clear, there’s absolutely nothing wrong with that approach. One of the main audiences of YA is, in fact, teenagers, and it makes total sense that they’d want to read stories about characters their age, not about their parents. I find absolutely no fault with authors who would rather focus on their teen characters and keep adults mostly out of the mix.

However, I’m a little bit backwards. I was one of those teens who read a lot of adult literature, and now I’m an adult who reads a lot of YA. As such, I’ve always been drawn to stories that feature both perspectives, the adult and the teen. I find it fascinating to explore where they clash, where they overlap, where the gap in years of life experience is an asset and where it’s a hindrance.

Suffer Love is one of those rare YA books that, while remaining solidly YA, really digs in and explores those questions. Sam and Hadley, the two teen narrators, are both dealing with the fallout of their parents’ infidelity. One family has already split apart, the other is trying to stay together but finding it a challenge. One narrator knows the sordid details of their parent’s affair, the other does not. Both are struggling to redefine their relationships with their parents and families, while still working through lingering feelings of anger and betrayal. The parents in both families are well-drawn, fully realized characters, but even when they’re not on the page, their presence is felt. Suffer Love doesn’t shy away from asking hard questions about the relationships between parents and teens, the mistakes both sides can make, and how both parties can move forward after being shaken to their core.

But much as I loved the way Suffer Love is a story about parents and kids and the particular hurting and healing that occurs within families, it’s about more than that. It’s about first love, and grief, and friendship. It’s two people in pain finding each other and realizing that they can heal better together than they can apart. It’s about loyalty, and secrets, and trying to make a good decision when all of the choices available to you are bad.

Sam and Hadley both felt like real people to me as I read. The alternating points of view were never confusing, with each having their own distinct voice and purpose. The side characters never felt peripheral either, and each had their own moments to shine, particularly Sam’s best friend Ajay (my favorite character) and Sam’s younger sister, Livy. Suffer Love is one of those books where you just want to hang out with several of the characters after the book ends, and maybe give a few of them hugs, not just because they need one, but also because you feel so connected to them.

The prose is lush and gorgeous but never gets overly flowery, and is infused with plenty of humor, as well as a hefty dose of Shakespearean references (including quite a few nods to my favorite Shakespeare play, Much Ado About Nothing, from which Suffer Love gets its title). It’s one of those books that strikes the perfect balance between lovely writing and compulsive readability, and I found that once the pages started turning, they didn’t stop.

Suffer Love is a beautiful, emotional story of grief and healing, of trust and friendship, of heartbreak and first love. It is about romance, and family, and the lengths a person will go to for the people they love. If you already love contemporary YA, or haven’t tried it yet and are searching for just the right book to get your feet wet, Ashley Herring Blake’s Suffer Love is a riveting and poignant debut, and I can’t wait to read what she writes next.

Review: The Unbound by Victoria Schwab

I was given an advance copy of this book from the author.

Happy 2014, friends! I hope the holidays treated you well, that you greeted the new year with people you love, and that 2014 has good things in store for you. I’ll admit, I’m pretty excited for this year. Not because I’m anticipating anything specific, exactly, but because I’m anxious to see what opportunities the year will present. 2013 exceeded my expectations in so many ways, probably the greatest of which was the friends I made. It boggles my mind that some of the people I would now count among my best friends are individuals I hadn’t even met a year ago.

One of those people is someone who, a year ago, was just a name on a spine to me. Last year, I read Victoria Schwab’s The Archived, and absolutely loved it. To the point that the first time I met Victoria, I think I fangirled on her a bit. (I’d apologize, but I’m not sorry. It was well-deserved fangirling.) Since then, she’s become a wonderful friend, but I’ve remained a fan. Through shameless cajoling, I was able to convince her to let me read the sequel to The Archived a bit early. This book hits shelves in a couple weeks, and if you enjoyed the first one, trust me, you’re going to want the sequel. I enjoyed The Unbound every bit as much as The Archived, if not more. That’s right. More.

Let’s get to it.

The Plot (from Goodreads):

Imagine a place where the dead rest on shelves like books. Each body has a story to tell, a life seen in pictures that only Librarians can read. The dead are called Histories, and the vast realm in which they rest is the Archive.

Last summer, Mackenzie Bishop, a Keeper tasked with stopping violent Histories from escaping the Archive, almost lost her life to one. Now, as she starts her junior year at Hyde School, she’s struggling to get her life back. But moving on isn’t easy — not when her dreams are haunted by what happened. She knows the past is past, knows it cannot hurt her, but it feels so real, and when her nightmares begin to creep into her waking hours, she starts to wonder if she’s really safe.

Meanwhile, people are vanishing without a trace, and the only thing they seem to have in common is Mackenzie. She’s sure the Archive knows more than they are letting on, but before she can prove it, she becomes the prime suspect. And unless Mac can track down the real culprit, she’ll lose everything, not only her role as Keeper, but her memories, and even her life. Can Mackenzie untangle the mystery before she herself unravels?

With stunning prose and a captivating mixture of action, romance, and horror, The Unbound delves into a richly imagined world where no choice is easy and love and loss feel like two sides of the same coin.

My Thoughts:

I expect a lot from sequels. I need them remind me of everything I enjoyed in the first book, but not retread old ground. I need them to give me new likable characters, while allowing me to grow closer to characters I’ve already met. I need the events of the previous books to have consequences, and for the actions of the characters to have repercussions. I need higher stakes, deeper world-building, tighter plots, and more satisfying resolutions. Whether it’s the second or the third or the tenth book in a series, I need each sequel to continue upping its game to keep me invested in the series. It’s a tall order that is hard to fill, which is why I often wind up settling for less.

I’m pleased to report that no settling was necessary in the case of The Unbound. The narrative picks up shortly after the events of The Archived, with heroine Mackenzie Bishop coping with the trauma of a betrayal that nearly killed her, and the fallout of the decisions she made as a result. In the meantime, her world is broadened by the start of the school year. The story is no longer confined to the halls of the Narrows and the rooms of the hotel-turned-apartment-building that Mackenzie calls home. Now she has to deal with a new school and new friends, and must work constantly to keep the ghosts of her past and the demons in her head quiet — while still proving to the Archive that she is a competent Keeper.

Fortunately, she’s not alone. Guyliner-sporting co-Keeper Wesley Ayers is once again by Mackenzie’s side, livening up her life with sass and sarcasm while also providing the grounding and support that only someone who knows her secrets can. Their relationship grows and deepens as it is tested by both the trials of high school and the string of disappearances that seem tied to Mackenzie. His humor and openness provide a much-needed balance to Mackenzie’s seriousness and secretiveness. Mackenzie also makes some friends at school, and it’s fun to see her interact with people her own age who don’t share knowledge of the Archive.

The new setting of Hyde School gives The Unbound a freshness that is much appreciated after the purposefully claustrophobic confines of The Archived. With the move into the world outside the hotel, the scope becomes greater and the stakes feel higher. It’s interesting how the broadened environment plays with the narrowing walls of Mackenzie’s mind, as no matter where she goes, she can’t escape the haunting memories of the History who terrorized her. He even plagues her dreams, which results in nearly crippling insomnia and the concern that she may be suffering a break from reality. Mackenzie’s struggles are compounded by the disappearances happening around her, as the lines between reality and the Archived continue to muddle. It’s a brilliant balance of internal versus external conflict, with both plotlines weaving together and building on each other as they head toward a conclusion that is both intellectually and emotionally satisfying.

As always, Victoria’s prose is lovely, a perfect blend of poetry and suspense. It gives the book a visceral quality that makes it easy to picture and hard to put down. There are some authors who have the gift of stories and some who have the gift of words. It’s clear in Victoria’s writing that she has both. Not only are the tales she crafts smart and imaginative and original, but the ways in which she tells them are beautiful.

The Unbound is everything I wanted in a sequel to The Archived. More mystery. More suspense. A greater sense of purpose and consequence and world. Deeper relationships. Higher stakes. And, of course, more Wesley Ayers. If you read The Archived and are wondering if you should pick up the sequel, wonder no more. Go forth, read, and enjoy.

Writerly TV: Buffy the Vampire Slayer

You may or may not be aware that we just passed the 10th anniversary of the final episode of Buffy the Vampire Slayer, a show that, despite its silly name, is often considered by both fans and critics to be one of the greatest shows of all time. I admit, I held out on this show for a while. I saw the original movie, and it was terrible. So although the show premiered while I was still in high school, and although I had friends who watched and loved it, I didn’t think it would be for me. I wasn’t really into teen shows, and I wasn’t into vampires.

Years later, after graduating college, I got a job working the graveyard shift at a hotel. It. Sucked. But one day, as I ate “lunch” at 4:00 p.m. while preparing for work, I turned on the TV. My options were limited. But eventually, my channel surfing paused on a show that looked interesting. The dialogue was snappy and smart. The characters seemed interesting. And holy whoa, suddenly there was kung-fu. While snarking.

After a few minutes, I was hooked. Buffy became my daily get-ready-for-work show, and even though I started watching mid-season 5 (A WEIRD TIME TO START THE SHOW, LEMME TELL YA), I eventually figured out most of the back story and mythology. Using powers of mind control I have still never been able to replicate, I convinced my fiance (now husband) that this show was not too girly for him, and he joined me in my addiction. We watched through the end of season 6, then started from the beginning as the reruns cycled back around. We caught up just in time to catch the final season as it aired. I remember watching the series finale in his parents’ basement, a month before our wedding. We had gone out for the evening on some sort of wedding-related activity, but demanded that we return in time for Buffy. IT WAS QUITE IMPORTANT. (BTW: DVRs are a good invention. I appreciate them quite a lot.)

So what’s the deal with Buffy? Maybe you heard it was awesome, and watched a few episodes of the first season, then gave up. I wouldn’t blame you. (Okay, I would, but not a lot.) The first season was working with a low budget and a big concept. The effects are awful. The season-long Big Bad is campy. And it followed a monster-of-the-week format featuring creatures that were often just plan weird.

I am fully aware that this is not from Season 1. And of who the monster is. But you have to admit, this gif still sums up the problems of Season 1 pretty well.

It. Gets. Better.

Buffy really starts to come into its own in Season 2, when it started to embrace serialization and season arcs a bit more. It also dared to go a bit darker, which helped immensely. And as the show matured, it grew bolder, took bigger risks, told broader stories. Not all the seasons are perfect — every one has a few stinker eps — but even Buffy at its weakest is better TV than many shows at their strongest.

The strength of Buffy is not in its kick-butt action sequences (although the karatepires are indeed awesome). It’s the characters, and how they evolve over whatever length of time we get to spend with them. Characters we meet as villains become heroes, and heroes become villains. Characters with superpowers fail, and characters with no powers triumph. They are constantly growing and changing, making mistakes and learning from them. More than anything, they feel real. While Buffy Summers is indisputably the main character, her friends, family, allies and nemeses all get fully fleshed out. They each have their own struggles and arcs and amazing development. If you want to know how to make an audience invest in side characters, or how to make each and every character the hero of their own story, this is the show to watch.

Additionally, Buffy remains one of the best shows for witty banter, ever. The writing is sharp and tight, somehow managing to perfectly blend humor and darkness, tragedy and levity. It’s a serious show that deals with serious issues, but it’s also hilarious and silly. Its emotions are real and raw, but it balances them with moments of unexpected lightness.

Buffy the Vampire Slayer is not just a show about a girl slaying vampires, or kids developing superpowers. It’s a show about growing up, finding yourself, making mistakes, facing challenges, and developing the relationships that help define who you are. Yes, there’s monsters and action and magic, but if that’s all it was, it would be no different than the dozens of other shows with that M.O. There’s a reason Buffy is the bar all the others aspire to. There’s a reason it’s considered great, and not just lumped in with all the other “vampire shows” or “teen shows.” It uses a supernatural setting and fantastic conflicts to tell stories we can all relate to. It takes character archetypes we think we know — the cheerleader, the homecoming queen, the book nerd, the bad boy, the comic relief — and turns them on their heads, exploring how these people are the archetypes, but are also so much more.

For writers, I think it’s a fabulous study not only in character development and banter and story arcs, but also in the unexpected. Buffy never shies away from going to the places we don’t anticipate. It takes the tropes and forms we’ve come to expect, acknowledges them, and then takes them in a new direction. It also is an excellent example of not letting setting take over story. Lots of times, especially in paranormal stories, it’s easy to make the main conflict “THERE ARE VAMPIRES/ZOMBIES/WEREWOLVES/ETC AND THEY MUST BE STOPPED.” And that’s it. But with Buffy, while there is often a Big Bad that must be dealt with, much of the conflict is internal, as the characters struggle to overcome personal obstacles and relationship struggles and existential crises.

I could go on forever about Buffy and all the reasons it’s amazing, and about why it’s an excellent tool for writers — especially if you’re writing paranormal, but really, it can apply to anything. But I think I’ve made my point. If you’re still over there thinking, “I just don’t like vampire shows,” then you’re about where I was back in 1997. Maybe you need to wait six years, then stumble onto a rerun and watch them out of order. Maybe you need to be bored and in the mood for something action-y on Netflix. Maybe you just need to be told one more time that it’s awesome anyway.

Or maybe you’ll never watch it, and will never really understand what you’re missing, and will always kind of wonder why it keeps showing up on “Best of” lists. And you’ll always think those of us who feel so very passionately about it are a tad wrong in the head. Perhaps we are.

But if you come over to the dark side, we have cookies.

Also, if you have watched the series already — or if you are on the fence, and don’t mind a few spoilers — this tribute to the series is fantastic.

Review: Dare You To by Katie McGarry (@KatieMcGarry @HarlequinTeen)

I don’t know if you remember, but I really loved Pushing the Limits by Katie McGarry. It was the book that made me admit I liked reading contemporary. It was a weird realization — I was pretty sure that if there were no explosions or dragons or magic or aliens, it probably wasn’t the story for me. But nope, that’s not true at all. I loved Echo and Noah, and the beautiful, bittersweet romance that developed between them. When I heard there were going to be sequels, I was excited, but nervous that Katie would go in and introduce more drama and tension for this couple that, in one book, had enough drama and tension for a lifetime.

I needn’t have worried. Dare You To follows one of PTL’s secondary characters: Beth. And this created a whole new set of worries. Beth was an interesting character in PTL, to be sure, but did I want to read an entire book about her? She wasn’t really all that likable.

But ultimately, I decided I trusted Katie. If she could make me love contemporary, surely she could make me love Beth.

The Plot (from Goodreads)

If anyone knew the truth about Beth Risk’s home life, they’d send her mother to jail and seventeen-year-old Beth who knows where. So she protects her mom at all costs. Until the day her uncle swoops in and forces Beth to choose between her mom’s freedom and her own happiness. That’s how Beth finds herself living with an aunt who doesn’t want her and going to a school that doesn’t understand her. At all. Except for the one guy who shouldn’t get her, but does….

Ryan Stone is the town golden boy, a popular baseball star jock-with secrets he can’t tell anyone. Not even the friends he shares everything with, including the constant dares to do crazy things. The craziest? Asking out the Skater girl who couldn’t be less interested in him.

But what begins as a dare becomes an intense attraction neither Ryan nor Beth expected. Suddenly, the boy with the flawless image risks his dreams-and his life-for the girl he loves, and the girl who won’t let anyone get too close is daring herself to want it all…

My Thoughts

When I started reading Dare You To, I was a tad on the worried side. Like Pushing the Limits, the story is told from two perspectives. We open with Ryan, and I was not too fond of him. He seemed exactly like the type of guy I steered clear of in high school. So I wasn’t sure I’d want to spend an entire book with him.

Then we moved to Beth, who was every bit as abrasive and argumentative and damaged as she was in Pushing the Limits. She made bad decisions and was self-destructive and harsh, and I was concerned.

But I knew from PTL that Katie McGarry is adept at taking characters from uncomfortable situations and making them punch me right in my tear ducts, so I persevered. It didn’t hurt that Dare You To was told with the same flowing, evocative prose that caused me to devour Pushing the Limits in just a couple days. And it wasn’t long before I was completely swept up in Beth and Ryan’s story, rooting for characters who I didn’t even like in the beginning. Soon, the pages were flying by, and during the times when I had to reluctantly put the book down for things like parenting and housework, Beth and Ryan stayed with me.

The verdict? I think I loved Dare You To even more than Pushing the Limits. It tugged my heartstrings left and right, made me smile and gasp and cry. By the end, I was completely in love with Beth and Ryan, as well as much of the supporting cast. Yes, there were moments when I wanted to throttle both of them (especially Beth), but only because they stayed so very true to themselves, and sometimes real people do things that are throttle-worthy. But most of the time, it just wreaked complete and utter havoc with my emotions, in the best possible way.

This book is a bit…ahem…hotter and heavier than PTL, and also manages to go a bit darker, a bit more dangerous, a bit more raw. It takes all the things I adored about PTL and amps them up, but in new and refreshing ways. It’s a fabulous follow-up to Pushing the Limits, but will also stand just fine on its own if this is the first of Katie McGarry’s books you’re trying. I will say, as with Noah in PTL, some of Ryan’s inner monologues can begin to smell a tad like Roquefort (read: cheesy), but I was sucked into the story enough that I didn’t care. Dare You To kept me blissfully engaged from beginning to end. If you enjoy emotional, butterfly-inducing YA contemporary romance that doesn’t shy away from some heavy issues, I recommend Dare You To wholeheartedly.

Throwback Thursday (March 28) – The Host

Throwback Thursday is a weekly meme hosted by The Housework Can Wait and Never Too Fond of Books.

Here’s how it works:
  • Pick any bookish or literary-related media (or non-media item) released more than 5 years ago.
  • Write up a short summary (include the title, author, and cover art, if applicable) and an explanation of why you love it. Make sure to link back to The Housework Can Wait and Never Too Fond of Books in your post.
  • Link up your post at The Housework Can Wait or Never Too Fond of Books.
  • Visit as many blogs as you can, reminisce about books you loved, and discover some “new” books for your TBR list – or some other classic!

Feel free to grab the Throwback Thursday button code from the sidebar to use in your posts.

Thanks for participating, and we look forward to seeing which books you choose to remember!

My Throwback this week is…

The Host by Stephenie Meyer

In honor of the movie releasing this week (which I am totally seeing opening night), today I am featuring that other book by Stephenie Meyer which is not about sparklepires. Here’s the Goodreads synopsis:

Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of human hosts while leaving their bodies intact. Wanderer, the invading “soul” who has been given Melanie’s body, didn’t expect to find its former tenant refusing to relinquish possession of her mind.

As Melanie fills Wanderer’s thoughts with visions of Jared, a human who still lives in hiding, Wanderer begins to yearn for a man she’s never met. Reluctant allies, Wanderer and Melanie set off to search for the man they both love.

I’ll be honest – I really, really enjoyed this book. Say what you will about Stephenie Meyer and her writing (which, in my opinion, improves LEAPS AND BOUNDS between the Twilight Saga and The Host), but the woman knows how to keep the pages turning and the tension high. Yes, even when she’s writing about stalk-y sparklepires. But I like The Host so much more because it’s about ALIENS. And I love me a good alien story. Plus, while there is a love triangle in The Host – which is actually more of a love square – it’s different than in most books. The conflict is real and the solution is not obvious. HIGH FIVE for a love triangle where one of the choices is not infuriatingly stupid.

When I first read The Host – in about a day, because I couldn’t seem to stop reading it – the characters and the story stayed in my head for days after. I thought about them all the time, the choices they made, and what they would do next. To me, all technicalities aside, that’s the mark of a good story. If you think a clean alien romance might be up your alley but you’ve been putting this one off because it’s by That Twilight Lady – give it a shot. You may be pleasantly surprised.

Also, here is the movie trailer. WHO ELSE IS EXCITED? JUST ME? NO? OKAY GOOD.

This is a blog hop! Link up your Throwback Thursday post below!