Review: THIS SAVAGE SONG by Victoria Schwab

It’s been a few years since Victoria Schwab has given us a new YA; she’s been spending the past couple years working toward world domination establishing her adult brand with Vicious and the Darker Shade series. During that time, she’s gained a lot of new readers, and I hope they follow her back to her YA roots for This Savage Song

I wasn’t sure what to expect from her monstrous new release (every time Victoria was asked about it, responses ranged from nonverbal grunting noises to maniacal cackling to “it’s so weird, you guys”) but once I finally got my grubby little paws on an ARC and read the first few pages, I couldn’t put it down. Now I can honestly say that This Savage Song this is my favorite of Victoria’s YA. Tonally, it feels like the younger YA cousin to Vicious, which is my favorite book of Victoria’s overall, and I am so excited that it’s finally crept its way into the world.

The Plot (from Goodreads):

There’s no such thing as safe in a city at war, a city overrun with monsters. In this dark urban fantasy from author Victoria Schwab, a young woman and a young man must choose whether to become heroes or villains—and friends or enemies—with the future of their home at stake. The first of two books.

Kate Harker and August Flynn are the heirs to a divided city—a city where the violence has begun to breed actual monsters. All Kate wants is to be as ruthless as her father, who lets the monsters roam free and makes the humans pay for his protection. All August wants is to be human, as good-hearted as his own father, to play a bigger role in protecting the innocent—but he’s one of the monsters. One who can steal a soul with a simple strain of music. When the chance arises to keep an eye on Kate, who’s just been kicked out of her sixth boarding school and returned home, August jumps at it. But Kate discovers August’s secret, and after a failed assassination attempt the pair must flee for their lives.

My Thoughts:

For the past couple years, Victoria (V.E.) Schwab has been focusing on her adult books, with Vicious and her Darker Shade series. However, This Savage Song takes her back to her start in YA, with an urban fantasy that explores the question of what it means to be monstrous. For readers of her adult works, expect a tone closer to Vicious than Darker Shade, and for readers of her YA, be prepared for a darker, twistier tale than either The Archived or The Near Witch.

This Savage Song takes place in a time and place not too removed from the world we live in now, except for one crucial detail — in this world, acts of violence breed literal monsters. The more horrific the violence, the more terrible the creature it creates.

August, one of the two narrators, is one such monster, born out of an event so horrible, he can barely bring himself to think of it. He wants nothing more than to be human, but throughout the story, it becomes increasingly clear why that can never be possible, and why, even so, he can never stop trying.

Kate Harker, the other narrator, is the teenage daughter of the most powerful man in the city, and would happily throw away her humanity if it won her the attention of her father. She and August don’t so much come together as collide, and the narrative of This Savage Song clearly relishes playing out the tension between the monster boy longing for the very thing his human companion doesn’t seem to value at all, and the girl trying to reconcile what she knows of monsters with the boy standing in front of her.

It’s hard to discuss the plot of This Savage Song without getting into spoilers, so suffice it to say that the entire book is a tense, thrilling exploration of what it means to be human, what can make someone monstrous, and the marks violence leaves, both on the soul and on society. Kate and August’s relationship follows one of my favorite trajectories in fiction, from enemies to wary allies to respected partners to trusted friends, and I loved every delicious moment of their slow-burn friendship (is slow-burn friendship a thing? Because it should be).

I also was fascinated by the monsters that populated the dark world of This Savage Song. For the most part, they are not the mindless, salivating brutes of horror novels and fairy tales, but sinister, intelligent beings with agendas of their own. When the story starts, the monsters have more or less taken over the city, but they still have structure and hierarchy within their new, monstrous society. I’ve always considered worldbuilding one of Victoria’s great strengths, and This Savage Song is no exception, as she feels her way through how the world as we know it would change — and how it would remain the same — if monsters roamed among us.

I’d be remiss if I didn’t mention the writing itself; as always, Victoria’s prose is beautiful, each word carefully chosen, each paragraph meticulously crafted. On a sentence level, I truly feel she’s one of the most talented writers in the game today. There’s hardly a page that goes by without a phrase that would be appropriate to print in loopy script and place in a frame somewhere. Her worldbuilding is lush and detailed, the dialogue sharp, the action taught, and the act of reading her words is decadence and joy and education all in one.

Make no mistake, This Savage Song is very dark, probably Schwab’s darkest since Vicious, and therefore won’t be for everyone. It’s violent and disturbing and, at times, very sad. But despite its darkness, it’s not a depressing book. Yes, Kate and August go through terrible trials and have to face awful things, but when I turned the final few pages of This Savage Song (which, it’s worth noting, ends on a very satisfying note, despite this book being the first of a duology), I felt oddly uplifted. For me, though it’s subtle, there was an undercurrent of light woven throughout the story, enough to leave the reader with the impression that though things may get bad, so bad it seems nearly impossible for them to ever turn around, that there is always hope. There is always goodness somewhere, maybe buried deep, maybe not where you’d expect to find it, and you might have to fight tooth and nail to get to it, but it’s there nonetheless. It’s a difficult balance to strike, but in my opinion, it’s executed beautifully here.

If you are a fan of urban fantasy, unlikely friendships, gorgeous writing, and thoughtful explorations of morality and monstrousness, rush to your local bookstore and dive into the world of This Savage Song today.

Film Review: The Mortal Instruments: City of Bones

I read the first book in Cassandra Clare’s Mortal Instruments series over a year ago, and while I liked it, it didn’t leave me chomping at the bit to read the rest of the series immediately. Really, I remember thinking after finishing the book, the format I wanted to experience this story in was cinema. Everything was so big and bold and visual. It’s funny, because I’ve read other books that I adored as books, and while I loved the film versions as well, the books held the magic for me. *coughHarryPottercough*. But for whatever reason, City of Bones just felt like a movie to me, even while reading.

So obviously, I was happy to hear it was being made into a movie. This is how I wanted to experience this story in the first place! I wasn’t a rabid fan like many out there, but the trailers looked good and I’m a big fan of on-screen magical demon slayage, however I can get it. Then I managed to snag a couple passes to an advance screening, which really made the decision to see it a no-brainer.

Overall, I was really pleased with the adaptation. I think it’s good that I only read the book once, and I read it a while ago, because while I was familiar with the story, I wasn’t so familiar that every deviation from the source material stood out like someone pointed a spotlight on them *coughHarryPottercough*. I could experience the story with eyes that may have not been fresh, but were at least wide open. I thought the casting was (mostly) spot-on, the acting was good, the writing was solid, and the effects and visuals were lovely.

The main characters of the book all made the transition from book to screen more or less intact. I still liked Simon more than Jace (I feel like, as in the book, Jace relies a lot on smolder, and Simon on wit, and for me, wit will always trump smolder). Also, Simon makes a Ghostbusters reference early on that pretty much cemented him as my Favorite Franchise Character Forever. But book-Jace fans will not be disappointed. There is plenty of smolder and snark, as well as heaps of demon-slaying goodness. I also enjoyed Alec and Isabelle, although if I had to pick one character who didn’t make the jump to screen as well as the others, I’d have to go with Alec. He was…fine? But I didn’t really feel anything toward him, whereas I liked Alec in the book.

The supporting players — Valentine, Jocelyn, Luke, Magnus — were all strong. I would be totally happy to see a movie solely about the adult cast. They all made excellent use of very little screen time, and I found myself wishing for more of all of them (although don’t get me wrong — I didn’t wish for less of the teen cast, either). Jonathan Rhys Meyers has made deliciously sinister into an art form, and it makes me want to go back and watch The Tudors again even though I had to quit that show (because seriously, guys, SO MANY NASTY EXECUTIONS). Lena Headey was strong and confident and I wish she was conscious more. Aidan Turner played a no-nonsense werewolf so well, I didn’t even remember that he’s a hobbit. And I know there are a truckload of Magnus Bane fans out there, but he’s not in the first book much, nor is he in the first movie much, so I don’t really get it yet. But I can say, Godfrey Gao totally rocked the guyliner.

As far as story goes, I think the writers walked the tightrope of cut-vs-keep masterfully. A very twisty-turny plot was, for the most part, streamlined into something a new audience could grasp without dumbing it down and alienating the original fans. Yes, there were some scenes in the book (even some action scenes, surprisingly) that didn’t make the cut. Yes, there were some lines added to the film version that didn’t really enhance the experience at all (one, in particular, I felt robbed the audience of an especially gasp-inducing moment). But for the most part, I thought all the variations from the book made sense, adapting the story into one that will please fans of the book as well as people who have never picked up the series before.

There’s lots of action, lots of intensity, and a crazy-creepy world where nothing is ever as it seems. As YA book-to-movie adaptations go, it’s definitely one of the better ones I’ve seen. I didn’t Hunger Games love it, but I absolutely enjoyed it. I think fans of the books will be pleased, and those new to the story will be drawn in. It even made me want to go read the second book in the series, which I was previously unmotivated to do. And for a film based on a book — especially the first film in a series — I think that’s one of the best reactions it could hope to inspire.

It’s Monday! What Are You Reading? (June 4)

Welcome to It’s Monday! What Are You Reading? hosted by Sheila at Book Journey. It’s time again for me to set lofty reading goals for myself! And maybe kind of achieve them! Huzzah!

Last week I actually read all the books I wanted to read (although I wasn’t able to acquire the two new books. Ran out of moolah. Darn it. Who wants to buy me a present?) so this week I can start all fresh and new. How exciting!

My library finally came through for me this week, and I now have the first books of several series I’ve been hearing tons of good things about. I can’t possibly get through them all this week, so I hereby dub June “Bandwagon Month,” wherein I will finally find out what all the hype is about.

On the docket for this week:

Shadows in Flight by Orson Scott Card. This is not part of Bandwagon Month (although I guess the Ender series could be considered a bandwagon series in the sci-fi crowd). This one’s just for me. I’ve read every other Ender/Shadow book and loved them. Time to find out what’s happening to a very tall Bean in space.

City of Bones by Cassandra Clare. No, I’ve never read the Mortal Instruments books. Yes, I know this is a travesty. Time to take the plunge.

Graceling by Kristin Cashore. I’ve heard nothing but amazing things about this fantasy series, and I’m so, so excited to finally get to read it. I also checked out Fire, which will probably kick off next week’s list.

And three books is probably about all I can manage this week, considering I’m also behind on my reviews, plus I need to allow time for all the Armchair BEA madness. I think it’s going to be a good week.

PSA: I will probably be behind in my commenting for memes this week because I’m on a Commenting Committee for Armchair BEA, and keeping up with that will be taking up a lot of time. But I WILL reply to your comments after the Armchair BEA madness is over. So please be patient! Thanks!

Interview: Liz Long, author of Gifted (@LizCLong)

You guys, I’m pretty excited about this. It’s a momentous occasion. My first author interview! As you’ll (maybe) recall, I recently reviewed debut author Liz Long‘s book, Gifted. It’s a unique and exciting story about a circus full of people with superpowers, and I was itching to pick her brain when I finished.

She was kind enough to provide answers to my extensive questions, and I think you’ll enjoy her answers!

Where did you get the idea for Gifted?

I’ve always had a weird obsession with fire (I’m not an arsonist, I swear). I’m an Aries/Fire sign and while I certainly read and love supernatural stories, I wanted to write something that didn’t have vampires or witches. That’s not to say, however, that they don’t exist in the Gifted world, by the way…

How long did it take you to write Gifted? What was the writing process like?

Technically, I started sketching the outlines when I lived in Nashville, so start to
finish it was about three years. But I sometimes let life and junk get in the way, so
I’d probably round it down to a year and a half if I cut out the lazy times.

The process was sort of strange, really. I’m a pantser writer, which means I
write whatever comes to mind whenever it hits me. I don’t write scenes in order,
which typically results in a copy/paste chaos, then I go back and connect the dots.
(I’ve anticipated this from now on by purchasing, using, and falling in love with
Scrivener. So. Much. Easier.)

You chose to go with indie publishing. I know you go into your reasons in detail on your blog, but can you give me a nutshell version about why indie publishing was right for you?

Oh gosh, I kinda love this question. I wrote a blog article about this, actually, but
honestly, I’m sort of an impatient soul. It wasn’t about rushing to put my MS out
there, but I believe in it so much and feared it sitting out there in limbo forever.
With full control over everything (editing, cover art, marketing, etc.) I really like
knowing that I’m the driving force—I’m not afraid of a little hard work. Plus
the indie community is just phenomenal, I can’t say enough nice things about
everyone!

I loved the circus setting in Gifted. What kind of research did you do to make the
Donovan Circus come to life?

There’s an incredibly interesting PBS 6 hour documentary series called “Circus” that follows the Big Apple Circus around for a season. It’s not only about the show itself, but behind the scenes with the employees and living circus life. I watched and re-watched every episode, taking note of the general circus feel and how they work (like the way they set up their living area is similar—obviously they don’t sit in a town for weeks at a time, but the grounds are laid out in a similar fashion). Since my characters all have powers, though, it’s obviously tweaked—workers may exist in both worlds, but mine have a little extra strength or my acrobats can literally fly so there’s never any risk of them hitting the ground.

I also saw the Ringling Bros. show when they came to visit my civic center
last year. Sort of a last minute fluke thing (I got tickets because I worked at a
magazine), but it was great to see costumes up close and get an idea of how they
ran the floor.

Then there was the research I did online for things like show terms. “First of
May” and “Jonah’s Luck” are real deal vocabulary, for example.

What’s next for Lucy and the Donovan Circus crew?

Well, Lucy still needs to figure out what the heck her father’s history is, which
essentially means she needs a family tree lesson. This is going to take her on an
interesting path on how she uses her own gift.

Then there’s the fact that Sheffield’s got so many enemies. Lucy’s got a huge
target on her back now thanks to her firepower. Lucy doesn’t quite understand
just how much her world clashes within itself. There are some pretty evil gifted
beings out there, let’s just put it that way.

Plus, it’s time to move to a new city. There’s definitely new stuff within each new
location.

Can you tell me a little bit about the YA series you’re working on?

Oh I’m so excited about this one! Currently titled “Super Nova” (not totally
set on that), it’s about a 17-year-old girl named Nova. They live in a fictional
city, Arcania, that’s being taken over by criminals. A supremely bad guy named
Fortune kills her little sister, sending Nova on a quest for justice (or revenge). The
catch? Nova’s got her own superpower. It actually is set in the gifted world, but
completely different characters and storyline. So the readers will recognize the
world and certain traits, but be taken on a totally new adventure.

What’s the most exciting thing about being a newly published author? The scariest thing?

The most exciting is definitely hearing so many nice things from everyone.
Because I’m new to it, I’m pretty much a nervous wreck, but hearing how much
people have enjoyed reading Gifted is just so nice to hear.

The scariest thing…gosh, there’s a few! Haha, um, I guess it’s the waiting game.

I can handle a poor review (I know not all books are for everyone—there are
people who didn’t like Harry Potter for crying out loud, so I know I’ll have a few
haters), but it’s literally just waiting for bloggers and others to read the book.
I don’t want to hover or annoy, so I’m kinda sitting and twiddling my thumbs
waiting to hear on a review. (Just kidding-I’m writing. But also a little twiddling.)

What have you learned during the writing and release of Gifted? How will it change the way you approach future books?

Less pantser approach, more plotter involved. I’ve done a much better sketch for
the next couple books and I’m trying to get it all well-established before writing
too much. I got in way over my head when I had so much going on in Gifted—I
had to remember that I could save a lot for another title. I’ve also learned a couple
lessons as far as the release. Actually publishing/printing will be easier because I
understand the formatting as well as making a cover and the order of how things
have to be done. Self-publishing is way harder than just uploading a document
and throwing it on Amazon.

What one piece of advice would you give an aspiring writer?

Don’t give up. You can get distracted, you can get lazy, but don’t give up. And
indie publishing is not as untraditional as it sounds anymore.

Gifted falls into a relatively new category of books: “New Adult.” What the heck is New Adult?

Oh I so hope this becomes a thing! New Adult is sort of the in-between for high
schoolers and adults, think 18-24 range. I love the idea, because as someone
who read older books as a teen, but at 27 might now roll their eyes at some of
the high school/teen stuff, that intermittent stage is a great balance of watching
someone figure out their journey but still manage to land themselves in some
adult situations.

And now for some frivolous and ridiculous questions:

Lucy compares herself to Pyro from X-Men. Who’s your favorite X-Men character?

Oh my gahhh. If I go by the gray I keep finding in my bangs, it’s Rogue. But
technically, I’d have to go with Jean Gray, aka Phoenix. She’s such a great
character and she’s incredibly powerful. Plus she’s willing to make sacrifices for
the greater good, which is always admirable.

Lucy also says Star Wars was her dad’s favorite movie. Who’s your favorite Star Wars character?

Han Solo. No question. He’s smart, he’s capable, he’s a lone wolf until suddenly
he realizes maybe he can do some good against the Empire. And if you wanna
argue or throw down, be my guest. I’ve poured water over my best friend’s head
and got into shouting matches with my husband.

If you were Gifted, what would you want your power to be?

Argh, there are so many! I’ve learned from Sookie Stackhouse I’d never want to
be a Telepath. No way would I want to be a Firestarter. I think I’d want Bianca’s
Transporter gift most—the ability to be anywhere you want in an instant is pretty
appealing!

In Gifted, Lucy’s decision could really go either way, but are you Team Gabriel or Team Keegan?

I love them both for different reasons. I’m afraid I don’t want to say because I
don’t want it to reflect back to Lucy’s choices. Sorry!

Chocolate or vanilla?

Always chocolate

Tea or coffee?

Diet Coke

Star Wars or Star Trek?

Wars, but I’ll watch Chris Pine as Kirk all the live long day.

Batman or Superman?

Batman’s far cooler. He’s got gadgets and is actually human enough to get his
butt kicked and make us fear for him. (Dark Knight Rises, anyone?)

Gale or Peeta?

If it’s the books, Peeta all the way. If I’m looking at that cute Hemsworth kid
from the movie, Gale.

Favorite book?

Harry Potter series. I’m in sheer amazement at the smallest details she included
from start to finish. She’s just a genius. I can talk about it for hours, as a reader or
as a writer!

Favorite movie?

Again with the toughies! Geez…I love so, so many movies. I’m a huge fan
of Indiana Jones (really anything with Harrison Ford as I have an unhealthy
obsession). I also love all the geek movies—Iron Man, Star Trek…I need to stop
before I rattle off 20 titles. Though I suppose now I’ll say: The Avengers!

Favorite TV show?

It’s a toss up! I watch too much TV for someone who wants to write novels. 30
Rock is my go to (everyone calls me Lemon or LL), but I also adore Parks & Rec,
Modern Family, and Grimm. Oh and Game of Thrones (it makes me want to write
a ridiculously epic battle scene every time I sit at my computer). I can’t pick just
one.

Favorite food?

I’ll go with pizza, since I tend to eat that about four times a week. Just kidding.
Sort of.

And finally, since you wrote a book about characters with superpowers and that makes you an expert, give us your review of The Avengers movie in 10 words or less.

Visually stunning, chill-inducing, cheer-worthy, perfect superhero flick. (I love
being an expert on stuff!)

Thanks so much, Liz, for agreeing to let me interview you! I enjoyed your answers, and look forward to reading about the future happenings in the Gifted world!

Review: Gifted by Liz Long (@LizCLong)

I first heard about Gifted, a new urban fantasy novel by debut author Liz Long, when I heard on Twitter that she was giving away free Kindle copies in exchange for an honest review. Well, I love me a free book, so I read the summary on Amazon and instantly knew I wanted to check this one out. Circus performers with superpowers is too awesome a combo to pass up. So I emailed Liz, and she promptly got back to me with my review copy.

I even paused in the middle of my current books (I’m sorry, Kvothe!) to read this one, because there was a little voice in my head that kept chanting, “you need to read about circus performers with superpowers!”

I’ve got to say, I’m glad I did.

What it’s about:

Gifted is the story of Lucy Sullivan, a young woman grieving the semi-recent loss of both her parents. The book opens as she contacts Sheffield Donovan, owner and Ringmaster of the Donovan Circus, to ask if she can join up. Lucy was raised in the circus until her parents left to have a normal life. Now that her parents are gone, Lucy is anxious to re-enter a world where she can feel comfortable, accepted, and understood. She’s never felt truly at home in the world outside the circus, and knows that Donovan Circus is where she truly belongs.

You see, Donovan Circus isn’t your everyday circus. Because most of the performers in the Donovan Circus are Gifted. They have special powers that set them apart from the outside world. And Lucy is no exception. She is a Firestarter.

Lucy is quickly embraced by the young performers in the circus, a group that includes other Firestarters, a Telepath, a Runner, a Shape-Shifter, a Transporter, and more. She also quickly finds herself a (mostly) unwilling participant in a love triangle, which she does her best to ignore as she works on honing her abilities and developing her power.

But her new life with the circus is threatened when someone starts attacking and killing the Gifted. And she’s the prime suspect.

My Thoughts

After reading the synopsis of Gifted, I thought to myself, “okay, so it’s Water for Elephants meets X-Men.” And Gifted absolutely bears some similarities to both of those, as well as some other gems of pop culture. An orphan joins up with the circus. Everyone has superpowers. There’s a wise Professor X-ish mentor-type (sans wheelchair and bald head, and plus handlebar mustache). There’s an evil supervillain that’s kind of a cross between Magneto and Peter Petrelli, if Peter Petrelli was evil (did I just lose cool points with the Heroes reference? Admit it. The first season of Heroes was awesome) [Edit: Sylar would be a much better comparison. I realized this last night as I was falling asleep. It bothered me I didn’t make the comparison earlier. So now I’m correcting myself. He’s a cross between Magneto and Sylar]. And of course Lucy’s Firestarter ability calls to mind (duh) FirestarterBut even though Gifted bears similarities to several other more familiar works, I still found it to be a fresh take on the more traditional comic-y superhero tales.

Lucy was a great main character. She’s strong and smart and sarcastic; all traits I like in female protagonists. She’s not without her flaws. She tends to be a tad on the oblivious side (especially when it comes to men, and her own abilities). And, like most strong female protagonists, she also has a strong stubborn streak. But she kept learning and growing and struggling to understand the big picture throughout the book, and I admired that in her.

There is a very pronounced love triangle in this book, and it’s not like a lot of books where there’s an obvious frontrunner for Lucy’s affections. She flip-flops between them a good amount, and so did I. Truthfully, I’m still not sure whether I’m Team Gabriel or Team Keegan.

*gag* I can’t believe I just said that. Never mind. I’m not Team-anyone. I hate Teams. My point is that it’s really not obvious who she should/will choose (in large part because of the previously mentioned obliviousness). Honestly, I think that’s a more realistic way to portray a love triangle than a lot of books that have the poor, ignored, frustrated guy patiently waiting in the wings as the female protagonist displays zero interest in him while fawning over his rival.

The overarching murder mystery plot was intriguing. Ms. Long drops tiny hints here and there about what’s going on in the Big Picture, but mostly we discover tidbits of information right along with Lucy. I was kept guessing for a big chunk of the book, and right when I thought I had everything figured out, she threw me for a loop. It wasn’t chock-full of twists and turns, but the road to the end was winding enough that it kept my full attention.

As for the superhero action, it is abundant. There’s a good amount of action sprinkled in throughout the book, and the climactic showdown is really satisfying. It’s fun to watch Lucy develop her Firestarter ability, especially when all the Firestarters are training together. And since nearly every character in the book has some sort of “gift,” not a lot of time ever passes without something supernatural happening.

The only real problem I had with this book was that Lucy and her friends go through some experiences that I imagine would be horribly traumatizing in real life. There’s a couple instances of sexual assault, brutal beatings, and several of the characters are forced to kill. And yet, none of them seem all that bothered by what they’ve gone through, or what they’ve had to do. Even if the person that died is unequivocally a Bad Guy, I’d think taking a life would still take a heavy toll on a previously innocent circus performer.

Now, I’m not sure the book would have been that much fun to read if the characters were constantly in mental anguish after having attacked or having been attacked. But I think I would have appreciated if there was at least a bit more of a psychological price to pay for their actions and experiences.

I do want to mention that there’s a good amount of strong language in this book. If it was a movie, the MPAA would give it an R rating. I mention it because the plot and subject matter give it a YA feel (even though Lucy and her friends are all at least in their 20s), but as far as parents or teachers giving it to young readers, it has a lot more cursing than I’ve seen in other YA books. I understand why it’s in there — Ms. Long wanted to be true to how most adults traveling with a circus would actually talk — but I didn’t want a parent to give it to their young reader thinking, “little Sally loves X-Men!” (you go, little Sally), and then get mad at me because I didn’t warn them about all the f-words.

Overall, Gifted was a fun read, chock full of stuff I like (including X-Men and Star Wars references), with an exciting plot and really likable characters. I know Liz Long has some other stories for the Donovan Circus crew swimming around in her head, and I’ll be anxious to read them!

Content guide: Contains strong language, smoking by most of the main characters, some scenes of violence and sexual assault.

Also, Liz Long has agreed to let me interview her here on this blog sometime in the near future! Yay! I plan to ask her all sorts of geeky questions about X-Men and Star Wars. And I will probably ask her some stuff about Gifted as well. And maybe unicorns. Stay tuned!