Tag Archives: Orson Scott Card

Feature & Follow #95 (featuring ME!): One Thing to Tell My Favorite Author

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It’s an exciting day!

[Why is it an exciting day, Lauren?]

It’s exciting because I discovered that I was selected to be (i.e. volunteered/begged to be) the Feature for this week’s Feature & Follow Friday, hosted by Parajunkee’s View and Alison Can Read! Huzzah!

I’m sorry. I’m not normally quite this cheesy, holding imaginary conversations with myself and all. I do actually yell “huzzah” pretty regularly, though.

Please don’t be sorry you’re following me.

Anyway, to Parajunkee and Alison, thanks so much for hosting and using your powers for good to drive traffic over here to my little blog.

If this is your first time here, welcome! I hope you like what I have to say. And if you’re one of my established followers (or The Elite, as I refer to you in my head), thanks for bearing with me through my rambling.

Follow via whatever method you’d like: email, RSS, LinkyFollowers, Networked Blogs. They’re all over there in the sidebar like a little follow buffet. Be sure to leave me a comment letting me know how you’re following so I can return the favor. If you’re feeling really promote-y, you can also grab my button from the sidebar and put it up on your blog. That would be rad.

BEHOLD, THIS WEEK’S QUESTION:

What is one thing you wish you could tell your favorite author?

Oh my word. *headdesk* This isn’t fair. It’s too hard. I don’t even know who my favorite author is, much less what I’d tell them. Who came up with this question so I can glare at them menacingly?

[glares at Ali]

*sigh*

Okay, step one is picking my favorite author, which is not so easy. Some of my favorite books are written by authors who have only written a couple books, or only one series. So how do I know if I like everything they write or just that small sampling? Some of my favorite books are written by authors who have written other books I didn’t like, so I guess that means they’re not my favorite authors. And how do I compare authors who write adult sci-fi to authors who write YA fantasy? Both are genres I love, but it’s apples and oranges.

You know what? Screw this. I’m not picking my favorite author. The question doesn’t actually say I have to reveal who my favorite author is, and in the spirit of living by the letter of the law (that’s an oxymoronic statement if there ever was one), I’m not going to. Let’s just say there is a whole slew of authors that I adore and whose brains I would pick to smithereens if I could.

(Can you pick something to smithereens? Let’s just assume that’s a thing).

They include J.K. Rowling, Lauren Oliver, Orson Scott Card, Robin Hobb, Suzanne Collins, Myra McEntire, Michael Crichton, and probably many others that I’m forgetting. I love the stories they tell, the characters they introduce, and the worlds they create; but what’s more, I love the way they use words to accomplish this. Lots of books can be enjoyable and have good characters and an interesting story, but not all are actually written in a way that draws me into the world. I don’t always care about the characters I read about. I don’t always feel immersed in the world they live in. I don’t always put down a book wondering what happened next, even though I know the characters aren’t real.

But these authors have all created worlds and characters that I miss when I finish the book. I wonder about them. I care about them.

So to take the question literally, “what do you wish you could tell your favorite author,” there’s actually not much I’d want to tell them, besides “You’re awesome.” But that’s probably nothing they haven’t heard before.

If I can modify the question slightly to “what do you wish you could ask your favorite author(s),” I would ask them, how do they write characters and worlds in a way that makes me care? How do they get inside their characters’ heads? How do they write a world that completely absorbs my senses? (I know, that looks like 3 questions, but it’s really just one: “How do you make readers care?”)

Maybe it’s just one of those intangible gifts, where there is no technique; it just comes naturally to them. But if there is a method to their glorious madness, I would like to know what it is.

Thanks for stopping by!

Top Ten Tuesday (May 1): Books I’d Like to See Made Into a Movie

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Top 10 Tuesday is a weekly meme created by the folks over at The Broke and the Bookish, so that we can all make and read lists to our hearts’ content.

Ahhh, lists. Why are you so much fun?

This week’s top 10 is a topic near and dear to my heart, because I spend way more time than is (probably) healthy thinking about this very subject. And the topic is:

Top Ten Books You’d Like To See Made Into A Movie

[Disclaimer: I know several of these have already been optioned for movies. However, until I see that casting is occurring and a production schedule is out and a release date is set, I don’t see any of them as sure things. Hollywood is a fickle mistress.]


Outlander by Diana Gabaldon. This would either have to be a heavily edited version to fit into a movie, or a show on cable. I’d prefer a show on cable (as long as it’s a channel I get!), so we could really explore the developing relationship between Claire and Jamie, as well as all the incredibly intricate plot surrounding the clans and the war.

 

Assassin’s Apprentice by Robin Hobb. Actually, the entire Farseer series, followed by the Tawny Man series (throwing Liveships in the middle would probably just be too confusing). But this one would have to be a cable series. It is way, way too complex for a movie. Even with a Peter Jackson 3.5 hour Lord of the Rings treatment. It would be an amazing series, though.

 


Hourglass by Myra McEntire. This one would be a really fun movie, appealing to both the teen crowd (because of the teenage protagonists and the love story) and the sci-fi crowd (because of the time travel and powers). It’s got a good amount of action, but also really interesting story. I picture some pretty nifty special effects too.

 

Uglies by Scott Westerfeld. If they could somehow get around the difficulties in casting, especially for Tally and Shay, this would be a really exciting movie. Lots of running and flying and explosions and craziness. Plus, it would surely draw big crowds, what with all the pretty (or Pretty) people in it. And, as a bonus, it has sequels and even a spin-off ready to go.

 

Before I Fall by Lauren Oliver. I know this would be tricky, watching Sam relive the same day seven times, but I really enjoyed Groundhog Day, so I think it can be done. Plus, I just saw this one as a movie in my head while I was reading. I want to see Sam transform. I want to fall in love with Kent. I want my heart to break for Juliet. This is one that I know has been optioned for film, and I really, really hope it happens.

 

Delirium by Lauren Oliver. (Yes, I do love me some Lauren Oliver books. Why do you ask?) I am fascinated by this world where love is a disease. I want to see how it works, how these families function. And of course I want to see Alex, and watch him break through Lena’s defenses. Movies about a sweet love story with some action and sci-fi thrown in are my cup of tea.

 

Glitch by Heather Anastasiu. This one takes inspiration from all sorts of things that did well at the box office — X-Men, Hunger Games, Twilight — as well as several books that I imagine would do well at the box office, like Delirium and Divergent. It is heavy on the sci-fi and action for the guys, and of also has the teen love triangle to draw in the girls (although, I’m a girl and I’d be drawn in by the sci-fi action).

 

Divergent by Veronica Roth. Talk about a book that was written to be turned into a movie! Everything about this book seemed cinematic to me, from the trains to the Dauntless compound, to the initiation challenges and the fear landscapes, to the behemoth finale. I’m pretty sure this one has also already been optioned, and I am really excited to see if it happens. It will be a pretty awesome action movie.

 

Ender’s Shadow by Orson Scott Card. I know that Ender’s Game is already well on its way to the big screen, but I hope they keep going and make this one too. Yeah, it will be even more challenging casting Bean on the streets of Rotterdam than Ender in Battle School, but Bean’s backstory is fascinating. Also, I think the rest of the Shadow series would translate better to film than the Ender sequels.

 

The Magician’s Nephew by C.S. Lewis. I know that theoretically, this one is going to be the next Narnia movie, but I’m more than a bit skeptical that it will actually get made (the IMDB page is woefully blank right now). However, considering this is my favorite of the Narnia books, and also completely different from all the others, I really hope I’m wrong. I want to see the creation of Narnia and all the different worlds that can be accessed through the magic pools!

 

Of course, if I had my druthers, I’d probably see a movie made from every book I ever enjoyed, since I love movies and books so much. And then I’d probably complain that most of them didn’t do the book justice. Such is the nature of the beast.

Top Ten Tuesday (April 24): Favorite Book Characters

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Top Ten Tuesday is a weekly meme hosted by the fine folk over at The Broke and the Bookish. They created it because they are particularly fond of lists, and I’m participating because I am particularly fond of lists. Fancy that!

So the topic for this week’s list is:

Top Ten All-Time Favorite Characters In Books

There will be some minor spoilers in here, because some of the reasons I love these characters are kind of spoiler-y.

10. Cinna (The Hunger Games by Suzanne Collins) – Cinna is cool, composed, and suave. He’s a stylist, so you wouldn’t think of him as being a fighter. But he proves himself to be brave and devoted to a cause greater than himself. He fights intelligently, not with swords and fists, but with well-placed images that turn the tides of feeling in the Capitol and the Districts. He was the secret but powerful force behind the Girl on Fire.

 9. Molly Weasley (First introduced in Harry Potter and the Sorcerer’s Stone by J.K. Rowling) – I would be remiss if I didn’t mention such a wonderful example of a mother. Molly Weasley is often in the background of the story, knitting horrible sweaters and fussing over her brood of red-headed children. But her fierce love and devotion for her family is never in doubt, and ultimately, she demonstrates the kind of power that comes from a mother’s love for her children. It’s nothing to be trifled with.

8. Robert Muldoon (Jurassic Park by Michael Crichton) – This is going to be short and sweet. Muldoon is freakin’ awesome, and if they’d all have listened to him from the beginning, dinosaurs wouldn’t have wound up eating most of them. And, unlike in the movie version, Muldoon is smart enough to not get eaten himself .

7. Valentine Wiggin (Ender’s Game and its sequels by Orson Scott Card) – In a world where children are turned into weapons by the military, Ender’s sister Valentine was rejected from the program for being too sympathetic and compassionate. But her intelligence was never the issue. Valentine’s game against her brother Peter is on a much smaller scale than Ender’s against the Formics, but she plays it well, proving what a shrewd strategist she really is. She also is Ender’s emotional center, the one member of his family who is always supportive and loving of him, no matter what he has done. She later proves her devotion to Ender when she accompanies him on his travels after the completion of the Game.

6. Jamie Fraser (The Outlander series by Diana Gabaldon) – If you like your romantic leading men big, burly, and Scottish, look no further than James Fraser. From the moment Claire Randall finds herself inexplicably transported from 1945 to 18th-century Scotland, Jamie is her savior, her protector, and her friend. He is innocent, funny and friendly while also being a strong warrior and leader. He’s not without his flaws, chief among them his fiery temper and fierce stubbornness. But ultimately, it’s his enduring love for Claire — a love that literally spans centuries — that makes him utterly endearing.

5. Peeta Mellark (The Hunger Games by Suzanne Collins) – I never really bought into the whole “Team Peeta”/”Team Gale” thing (in my opinion, Peeta’s biggest rival for Katniss’ affections was Katniss.) So my admiration for Peeta is not based on the fact that he’s just sooooooo dreamy. Peeta takes more mental and physical abuse than any other character in THG series (barring, of course, the ones who die). But his strength of character and his will to be true to himself ultimately prevail. He is gentle, kind, and full of hope in a world where all of those are in short supply; but he also demonstrates strength and power when the situation demands it. Katniss may be the focal point of THG, but in my mind, Peeta is the true victor.

4. Professor Remus Lupin (First introduced in Harry Potter and the Prisoner of Azkaban by J.K. Rowling) – As Harry’s only Defense Against the Dark Arts professor who is both qualified and competent, Professor Lupin’s teachings are instrumental in Harry’s fight against Voldemort. Additionally, in spite of Lupin’s internal struggles, he continues to be one of the main leaders of the Order of the Pheonix. He serves as mentor and protector of the Dynamic Trio, and ultimately helps Harry understand the power of sacrificial love.

3. Westley (The Princess Bride by William Goldman) – If you haven’t read The Princess Bride, go get yourself a copy and read it. Right now. The movie is great; the book is better. And however much movie Westley is the ultimate in swashbuckling romantic heroes, book Westley is even better. If you thought his survival in the Pit of Despair was impressive, wait until you see him in the Zoo of Death. “To the pain” indeed.

2. Nighteyes (Farseer Trilogy/Tawny Man Trilogy by Robin Hobb) – Nighteyes is protagonist FitzChivalry’s wolf companion for most of his journeys. Nighteyes is as you would expect a wolf to be: vicious, cunning, and fiercely loyal. But he is also surprisingly witty, refreshingly honest, and endearingly playful. Through all of Fitz’s misadventures, Nighteyes is there to ground him, support him, and be the voice of reason. In a series I loved full of characters I loved, Nighteyes was among the best. I’ve never felt so emotionally attached to an animal character, before or since.

1. The Fool (Farseer Trilogy/Liveship Traders Trilogy/Tawny Man Trilogy by Robin Hobb) – In Robin Hobb’s spectacular trilogy of trilogies, The Fool is the thread that ties them all together. He is an enigma wrapped in a puzzle wrapped in a cleverly worded and slightly biting riddle. And somehow, even though you never truly understand everything about him — even after 9 books — you come to know him. Introduced as a comical background character, The Fool ultimately evolves into one of the most complex and fascinating characters I’ve ever read. But despite the vast mystery that surrounds him, it’s hard to doubt or deny his friendship and devotion with Fitz, even in the face of unimaginable hardship.

Honorable Mentions (in no particular order):

Neville Longbottom, Hermione Granger, Professor McGonagall (Harry Potter)

Burrich (Farseer Trilogy/Tawny Man Trilogy)

 Anne Shirley and Gilbert Blythe (Anne of Green Gables by L.M. Montgomery)

Elizabeth Bennet and Mr. Darcy (Pride and Prejudice by Jane Austen)

Kent McFuller (Before I Fall by Lauren Oliver)

Jo March (Little Women by Louisa May Alcott)

 I may add more to this later. It’s too painful not to mention some of these great characters.

Review: Ender’s Game by Orson Scott Card (@orsonscottcard)

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I’ve decided that if I’m going to have a blog where I review books, I need to review my favorites, even if they’ve been out for years and years. I owe it to the world (well, or at least whatever small percentage of the world reads my blog) to let them know why these books are amazing. And I couldn’t think of a better one to start with than Ender’s Game.

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Plot:

It is the future. Earth has survived an attack from an insectile alien race – barely. Population control laws are in effect. Families are limited to 2 children. Young children are monitored to see if they have military potential, and those that show promise at an early age are whisked away to train in the military’s Battle School, in the hopes that by the time they reach adulthood, they will possess the necessary skills to defend the Earth, if the aliens – “buggers” – ever return.

Andrew “Ender” Wiggin is a rare third child in his family. His older brother and sister showed intellectual promise, but his brother was too ruthless and his sister too compassionate to qualify for Battle School. So the Wiggin parents were permitted a third chance to produce a military prodigy. And they succeeded.

Ender is whisked away to Battle School at the ripe old age of 6. The School, located on a space station orbiting the Earth, is populated by military officers and child prodigies. Ender is one of the youngest.

And these are not your average children.

They train daily in space military tactics, weaponry, and combat. Although they are all at an age that we associate with Dora, Spongebob, and Hannah Montana, these kids are nothing like the children currently roaming your local elementary school hallway. They are calculating, intuitive, sometimes ruthless, always dangerous.

One of the main focuses of the School is the battleroom, where the children are equipped with special suits and laser guns that allow them to fight each other in zero-gravity. On Ender’s first trip to the battleroom, it becomes quickly apparent that he is a cut above the other students. Some of his peers respect this. Some are threatened by it.

And as Ender works his way up through the ranks of Battle School, his teachers take notice, and wonder if perhaps Ender is the child they’ve been waiting for. The child who can change everything. The child who can save Earth.

Why I Love It:

Don’t let the summary throw you off. Ender’s Game may be a book about children, but it is by no means a book for children. The children in this book are nothing like how we picture children (as the mother of an almost-6-year-old, I can say this pretty definitively). Everything about this book is aimed at an adult audience.

Ender’s Game is not a thriller or adventure story, although some of the battleroom scenes are exciting. More than anything, it’s an examination of the mind of Ender Wiggin, the culture he lives in, and a world under military rule. And it’s all fascinating.

Mr. Card writes Ender in a way that while you understand he is just a child, you can still be awed, chilled, and amazed at his thoughts and actions. As a matter of fact, all of the characters are interesting and intriguing, from his friends at the Battle School, to his sociopath brother Peter, to the Commander of the Battle School, Colonel Graff.

There is a twist at the end of Ender’s Game. You may see it coming; you may not. I did, but it didn’t lessen my enjoyment of the book one bit. The fact that I have read this book over and over again, in spite of knowing the twist ending, speaks to the strong writing of the rest of the book. The book doesn’t exist just to throw you off at the end. The book exists to make you think, to draw you completely into the character of Ender, and to absorb you in the science-fiction world he lives in.

When one book just isn’t enough:

There are 4 sequels to Ender’s Game. They follow him into adulthood, far past the end of Ender’s Game. I love the sequels, but they’re very different in tone and scope from Ender’s Game; however, I did find that they resembled each other. So my suggestion is that if you enjoyed Ender’s Game (and I really, really hope you do), check out Speaker for the Dead from your local library, read the whole thing, and then decide if you want to keep going.

The sequels are:
Speaker for the Dead

Xenocide

Children of the Mind

Ender in Exile 

There is also a companion series to the Ender’s Game series, paralleling Ender’s story from the point-of-view of one of the secondary characters. It sounds weird – why would you want to read the same story all over again, knowing how it ends? But the Ender’s Shadow series is wonderful (only the first book parallels Ender’s Game. After that, its sequels detail events barely alluded to in the Ender’s Game sequels).

Content guide: Contains some disturbing scenes of violence towards and committed by children.